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Radio World

Boden Will Run Cumulus D.C. Cluster

Radio World
3 years 11 months ago

Cumulus Media named Jeff Boden as vice president/market manager of its operation in Washington, D.C., which includes WMAL(FM) and WSBN(AM).

He succeeds the late Ken Roberts, who died in April.

Boden is the former VP and market manager for Alpha Media’s four-station group down I-95 in Fredericksburg, Va., and former president of Delmarva Broadcasting in Wilmington, Del.

[Visit Radio World’s People News Page]

“The Cumulus appointment is a homecoming for Boden, who was president/general manager for Washington, D.C. stations WRQX, WMAL and WJZW from 2005 to 2012, when the stations were owned and operated by ABC Radio and later, Citadel Broadcasting,” the company stated. Boden has additional D.C. roots, having graduated from The American University.

The announcement was made by EVP Operations Dave Milner.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

 

The post Boden Will Run Cumulus D.C. Cluster appeared first on Radio World.

RW Staff

KNWI’s New Stick Is Going Up

Radio World
3 years 11 months ago

RF equipment manufacturer ERI posted this pic on LinkedIn, showing work being done for the University of Northwestern-St. Paul, which has a project to increase the effective radiated power of KNWI(FM) to 100 kW.

As we told you earlier, the station, which serves Des Moines, Iowa, on 107.1 MHz, currently operates at 30 kW at 630 feet above ground level but is getting an upgrade.

[See Our Who’s Buying What Page]

The stub for the new 995-foot tower was set recently, and the erection should be completed before the end of July, according to the ERI post. And it’s going to support a big antenna.

“The tower includes a free-standing 100-foot, 48-inch face, ERI Lambda Optimized FM Mounting System that will support KNWI’s new 10-bay High-Power Rototiller FM antenna,” ERI wrote.

ERI is managing the project; the erection is subcontracted to Tower King II.

Northwestern Media is using a Nautel GV30DN transmitter and HD MultiCast+ Importer/Exporter. It will feed a translator in downtown Des Moines and provide HD programming of its Faith Radio talk and teaching format to the Des Moines market, according to an earlier announcement from Nautel.

The project also includes a Slatercom/Dialight LED High/Medium Intensity lighting system.

Suppliers and users are invited to submit their project news to radioworld@futurenet.com.

 

The post KNWI’s New Stick Is Going Up appeared first on Radio World.

RW Staff

Paid Audio Services Boom in U.S.

Radio World
3 years 11 months ago

Paid audio services have become a way of life for many Americans. Will more radio companies participate in the boom?

New data this week from Edison Research indicates that almost half — 47% — of us now subscribe to at least one such service. “This number is just over double what it was in 2015, when 23% had a paid subscription,” the company stated. It found that growth includes services like Spotify Premium, Apple Music, Pandora Premium or Plus, SiriusXM Satellite Radio and Audible.

[Read: Survey Says Full Speed Ahead for Mobile Devices and Apps]

Edison President Larry Rosin expects to see more such offerings, “particularly from radio companies.”

“While much of this doubling of the numbers is the redirection of money that was going to physical music formats to music streaming subscriptions, there is also the trend of more people paying to avoid commercials,” he said.

He noted that the U.K.’s Bauer Media launched a subscription radio service that offers commercial-free versions of their radio brands. “I would think such efforts are likely to be launched in the U.S. as well.”

 

The post Paid Audio Services Boom in U.S. appeared first on Radio World.

RW Staff

Emergency Alert Changes Pass FCC

Radio World
3 years 11 months ago
A screenshot of a cell phone shows actual emergency messages on Jan. 13, 2018 in Honolulu, Hawaii. The background is a composite. (Screen image: Eugene Tanner AFP via Getty Images)

The Federal Communications Commission has adopted several changes to its rules for emergency alerting in the United States.

This order makes the changes we described in our recent story “Changes Coming in National Alerting.”

On the mobile phone side of things, the FCC doesn’t want people to opt out of receiving critical information, so it has combined the existing “Presidential Alerts” category, which is non-optional on devices that receive Wireless Emergency Alerts, with alerts from the FEMA administrator to create a new non-optional alert class called “National Alerts.”

On the EAS front, the commission is requiring State Emergency Communications Committees to meet at least annually and submit plans for FCC approval. Also it is encouraging states to review the composition and governance of their SECCs (or to form a committee one, if one doesn’t exist).

The FCC also plans to provide a checklist of information that should be included in annual state Emergency Alert System plans, and will tighten up its process for reviewing those plans. (We’ll report on that when the full order text is available but you can read the draft order that was released ahead of the meeting.)

The order also specifies that government agencies may report false emergency alerts to the FCC’s 24/7 Operations Center. And it clarifies how alert originators can repeat their alert transmissions.

Congress had instructed the FCC to work with the Federal Emergency Management Agency to adopt such rules.

“When alerts work well, we get the facts we require in an emergency,” said Acting Chairwoman Jessica Rosenworcel in a statement. “But when they fail, they can cause fear and confusion and even panic.” She cited the 2018 incident when people in Hawaii got an emergency alert warning of a ballistic missile threat and were told “This is not a drill.”

Rosenworcel said the Hawaii incident led her to call for a system for reporting false alerts “so we can learn from our errors going forward,” and to urge the use of state emergency communications plans to promote best practices.

“This is progress. But there is still more to do,” she continued. “So today we are kicking off a rulemaking to discuss additional ways we can improve alerting, based on recommendations from our colleagues at FEMA.”

She also made note of the nationwide test of the Emergency Alert System and Wireless Emergency Alerts that is scheduled for August.

The post Emergency Alert Changes Pass FCC appeared first on Radio World.

Paul McLane

My Favorite Mics: Rob Bertrand

Radio World
3 years 11 months ago
Bertrand poses with his vintage Electro-Voice 664, a model he actively used as a kid, learning live sound reinforcement at his church when he was young. Reunited with it by an eBay impulse buy, it graces many of his Zoom calls as a background prop.

This is one in a series of interviews with people who work in and around radio about the kinds of mics they love and why.

Rob Bertrand is senior director of technology for WAMU 88.5 in Washington.

Radio World: What is your personal favorite for radio on-air work, and what sets it apart for you? 

Rob Bertrand: The Shure SM7B is one of the most versatile microphones out there that is hard to make sound bad. Its low-level output corrects for so many room distortions and background noise issues and it has a great balance of simultaneously sounding warm and crisp.

We use the Neumann BCM 104 in our host positions when we’re in the studio because it sounds consistent alongside the higher-end condensers found throughout NPR programming.

There is no presence effect so it is very forgiving of hosts who tend to operate from quite a distance of the microphone, however, it does require a very quiet studio to sound clean.

RW: What about remote work or other specialty applications?

Bertrand: We’re using a lot of SM7Bs in home setups right now, sometimes with external mic pres, because they are so forgiving of their environment. The SM58 is always a solid go-to for on-air and live usage.

Bertrand loves the long-handled version of the Shure SM63 for field interviews.

My interview favorite will always be the Shure SM63LB.

RW: For someone making a microphone decision, any tips to share or common misconceptions to dispel?

Bertrand: Start simple. Use your ears. Be clear for yourself about what you’re trying to achieve, then go out and get different opinions.

In trying to find a new standard field reporter microphone for WCBS in the mid-2000s, I ordered about a dozen different handheld mics. I went out to different environments throughout New York City and recorded with them, wanting to find a nice presence for the subject but sensitive enough to provide reasonable nat sound.

We eventually landed on the SM63LB, which despite being omnidirectional, sounds great when used up close in an interview, with little-to-no handling noise. It gave WCBS a nice kick to its long-time field sound, enabled us to roll out a consistent mic, and gave the reporters an easy tool for recording better audio in the field.

As we deployed digital recorders and laptops, this enabled the station to provide a whole new level of rich audio to its listeners — whether listening on AM, HD, or streaming.

In my public radio life today, we have the time and ability to use more resources and a wider variety of microphones to deliver that polish, but I’ll always remember working with a team of reporters and news management to make that decision about the singular SM63LB for our reporters. I think it’s what they are still using today and it was a team decision based entirely on listening tests.

I think you want something that’s easy to use, holds up to the abuse of daily life, and is versatile in different situations. Marketing materials can help set you in the right direction, but you’ve really got to do the work of testing and listening to know for sure what sound you are crafting.

Read more of Radio World’s coverage of microphones.

The post My Favorite Mics: Rob Bertrand appeared first on Radio World.

Paul McLane

Nielsen Has Good News in May Numbers

Radio World
3 years 11 months ago

U.S. radio audiences continue to grow back toward where they were when the pandemic took off.

Nielsen Audio announced this morning, “The May 2021 PPM survey saw yet another month of gains in radio listening across the aggregate of markets as America continues to reopen and consumers return to pre-pandemic routines.”

The research company said radio’s weekly reach is at its highest levels since March 2020 and has been growing for the past four months.

“In May 2021, radio’s weekly reach surpassed 122 million weekly listeners, within 2 million of where it was before the lockdown precautions took effect last year.”

Average Quarter-Hour (AQH) audience in May also saw its highest levels since March 2020, though again not quite back to where it was.

“AQH audience levels have increased 11 percent since January as vaccinations have rolled out, leading to a gradual return to pre-pandemic routines including dining out, traveling and more normal commutes.”

The company says that from a weekly reach perspective, “the radio audience in May 2021 is 8% larger than the same month from one year ago, while for AQH the audience is now 20% larger than May of 2020.” May listening gains were spread across dayparts.

As for trends within formats, Nielsen Audio said it sees familiar seasonal listening patterns “corresponding with the shift towards summer.” Formats on the upside include classic hits, Hot AC and all-sports.

The post Nielsen Has Good News in May Numbers appeared first on Radio World.

Paul McLane

KRK Adds to Speaker Line

Radio World
3 years 11 months ago
KRK Classic 8

Speaker Specialist KRK has announced the addition of two monitors to its Classic line.

Classic 7 and Classic 8 (pictured) join smaller sibling Classic 5.

[Check Out More Products at Radio World’s Products Section]

The two new monitors match the Classic 5 in most features — biamplified with A/B amplifiers, one-inch soft dome tweeters, bass boost, high- and low-frequency controls, passive front-firing bass port, XLR, 1/4-inch and RCA connections.

The nominal difference between the two is the 7- and 8-inch KRK yellow glass aramid fiber woofers, respectively. The Classic 7 uses a 48W woofer amplifier and a 25W tweeter amp while the Classic 8 uses a 75W bass amp with the 25W tweeter amplifier.

Info: www.krkmusic.com

The post KRK Adds to Speaker Line appeared first on Radio World.

RW Staff

Kathy Stieler Joins NATE

Radio World
3 years 11 months ago

NATE: The Communications Infrastructure Contractors Association, has announced the hiring of Kathy Stieler as the director of Safety, Health & Compliance.

It is a new position and she starts immediately.

[Visit Radio World’s People News Page]

Stieler has been in similar positions in a variety of related industries over many decades, including, most recently, director, ERI Installations and Safety since 2012.

According to a release, “Stieler will be tasked with directing, developing and overseeing the general health and safety policies and procedures of the association to ensure its safety materials and best practices documents are in compliance with OSHA and other applicable state and local regulations and standards.”

In addition, she “will also be available to provide technical subject matter expertise to the association’s member companies, as well as helping these businesses navigate the oftentimes onerous compliance onboarding process.”

NATE Chairman Jimmy Miller said, “Through the establishment of this director of Safety, Health & Compliance position, NATE is doubling down on safety and investing directly into our growing membership of companies. Kathy will be a tremendous asset and I encourage member companies to leverage her expertise to enhance their respective safety cultures.”

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

 

The post Kathy Stieler Joins NATE appeared first on Radio World.

RW Staff

Nielsen Releases PPM Software Encoder for FMs

Radio World
3 years 11 months ago

Nielsen has just released its PPM Audio Software Encoder for FM stations, allowing more broadcasters to move away from a hardware-based audio watermarking process.

“The release of the PPM Audio Software Encoder for FM stations follows the successful completion of a live field evaluation in the March and April measurement periods,” the company wrote in a note to clients.

It had already released the Audio Software encoder for AM stations earlier.

It says the software encoder allows a station to perform its PPM encoding in products from audio processor manufacturers, “enabling opportunities for cloud-based broadcast operations, reduction of rack space in your facilities and simplification of your station’s workflows.”

The company has published a list of certified vendors that includes Orban, Telos/Omnia and Wheatstone products.

In a recent commentary in Radio World, Nielsen Audio Director of Product Management Nick Mannion, wrote: “We took the PPM encoding algorithm (Enhanced CBET) out of the hardware that it lives in today and made it available in the form of a software development kit (SDK). This SDK is then made available to industry participants enabling them to integrate PPM encoding into their products.”

Once an integration is complete, he continued, Nielsen works with the manufacturer of the product to perform a certification process. “This … ensures that the PPM encoding generated by the manufacturer’s product meets all of Nielsen’s encoding quality standards.”

Nielsen plans to expand its PPM Audio Software Encoding to include digital streams later this year.

The post Nielsen Releases PPM Software Encoder for FMs appeared first on Radio World.

Paul McLane

Digigram Launches Codec for MPX Over IP

Radio World
3 years 11 months ago

Digigram introduced the Iqoya X/Link-MPX codec, intended for delivery of an FM MPX composite signal to one or several transmitter sites.

“Currently, most of the studio-to-transmitter links for FM transmissions rely on the transport of the baseband audio signal over IP networks,” the company noted in its release. “This requires the FM composite MPX signal to be generated at each transmitter site with devices such as sound processors and RDS encoders.”

[Check Out More Products at Radio World’s Products Section]

It cited growing demand for the transport of the MPX signal to be generated at the studio, “since it will help reduce the number of required equipment at the transmitter sites, optimize the global power consumption and maintenance costs.”

The Digigram X/Link-MPX supports analog MPX and digital MPX AES192, allowing analog-to-analog, analog-to-digital, digital-to-analog and digital-to-digital distribution of the MPX signal.

Optional µMPX compression is available to reduce the cost of transportation by using inexpensive network links.

Features include Forward Error Correction and redundant dual streaming with time diversity in PCM to ensure reliable transportation of IP streams. The codec uses the same hardware platform as the Iqoya X/Link range, and features internal redundant power supply units.

Info: www.digigram.com

Send your new equipment news to radioworld@futurenet.com.

 

The post Digigram Launches Codec for MPX Over IP appeared first on Radio World.

RW Staff

SBS Elevates Albert Rodriguez to President

Radio World
3 years 11 months ago

The Spanish Broadcasting System has a new president for the first time in 36 years, though long-time incumbent Raúl Alarcón remains at the helm as chairman and CEO.

Albert Rodriguez will succeed Alarcón as president of SBS.

“Mr. Rodríguez will retain his current title of chief operating officer and will report to Mr. Alarcón, who will continue in his position as chairman and chief executive officer.”

[Visit Radio World’s People News Page]

The company said the president role means managing operations and “overseeing the future growth and financial performance of the company’s radio, TV, digital and experiential businesses and market-leading brands.”

Alarcón has led SBS since 1985. The company describes itself as “the nation’s largest Hispanic-owned and targeted media and entertainment entity.” Its assets include New York station WSKQ(FM), “America’s most-listened-to station in any language and the #1 Spanish-language station in the world.” It has stations in other big Hispanic markets like Los Angeles, Miami, Chicago, San Francisco and Puerto Rico, with formats like Tropical, regional Mexican, Spanish adult contemporary, top 40 and Urbano. It also includes the Aire radio network, LaMusica app, MegaTV network and a concert promotion business.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

 

The post SBS Elevates Albert Rodriguez to President appeared first on Radio World.

RW Staff

IBA Names Summit as Tech Partner

Radio World
3 years 11 months ago

Summit Technology Group said it has a new partnership with the Independent Broadcasters Association in which it can provide virtual or on-site broadcast engineering services to members of IBA.

“Effective June 16, all association members will have direct access to the national team of broadcast, electrical and RF engineers at Summit Technology Group,” the company said in a press release. IBA members can access the services as needed or through a subscription.

Members can view service offerings, sign up for routine service and request emergency support from within an account dashboard. An AR-based video conferencing platform allows members to connect with Summit technicians.

The announcement was made by Summit President Paul Stewart and IBA President/Executive Director Ron Stone.

Stone said the relationship will be helpful to members when “so many independents are located in areas where the days of having an on-site engineer are long gone, and even a contract engineer may be hours away.”

The post IBA Names Summit as Tech Partner appeared first on Radio World.

Paul McLane

Evanov Tries Out Hybrid AM HD Radio in Toronto

Radio World
3 years 11 months ago
Paul Bury at the CHLO tower.

Evanov Communications recently switched on hybrid HD Radio on an AM station in Ontario. It’s believed to be the first AM to use HD Radio in Canada.

The company operates 16 radio stations across the country, including in the major markets of Winnipeg, Toronto, Montreal and Ottawa. Twelve of those are on FM, four on AM.

CHLO is in Brampton, a suburb of Toronto. The station is a Class B station broadcasting on 530 kHz with 1000W daytime operations and 250W nighttime to a non-directional antenna. Much of its programming caters to the area’s large South Asian population.

Director of IT & Engineering Paul Bury answered Radio World’s questions about it.

Radio World: What is the purpose of turning on HD Radio, is this a test, or a permanent change?

Paul Bury: We’re hoping that turning on HD will help combat the growing problems of noise and subpar audio quality that has plagued the AM broadcast band for many years.

With growing competition from FM broadcasters and online streaming, the listeners have grown accustomed to higher-fidelity audio and are slowly turning away from AM. We’re hoping that higher-quality audio will translate to higher hours tuned.

Because HD Radio on AM is new to us, we are treating it as a test at this moment. However, we hope that this will become a permanent change and a way to revitalize the historic AM band.

RW: How many cars in your market do you believe have HD Radio-capable AM receivers?

Bury: We have not seen many local stats showing a number of HD Radio-capable receivers. However, according to Xperi, there are more than 4 million HD-equipped vehicles in Canada, and one in three new cars sold in Canada every day come equipped with an HD receivers.

Over 30 auto manufacturers now ship their cars to Canada with HD decks — granted, some no longer include the AM broadcast band, but the majority still do. It’s safe to say that for the most part, if a vehicle comes equipped with FM HD, it will also have AM HD.

Since most receivers switch to HD signal automatically, we noticed with our FM HD operations that most listeners didn’t realize they were listening to the HD signal or that HD was even included in their car radio.

RW: Are you using the hybrid AM mode, or all-digital?

Bury: We are using the hybrid mode as we did not want to turn off the signal to those listeners who may not have HD-capable receivers yet. If tests in hybrid mode turn out to be positive, we will look into testing the full digital mode in certain dayparts, but as of right now, we’re not anticipating a full shutdown of our analog transmission.

A car tuner displays CHLO.

RW: Hybrid on AM in the United States did not succeed, with early adopters having a lot of issues with noise and interference, especially at night. Is there cause to believe it will work now?

Bury: The interference and noise issues are highly dependent on the broadcaster’s frequency.

We have specifically chosen CHLO to be our test station because of the frequency that it uses. Being at the very bottom end of the AM dial, 530 kHz is being utilized by very few stations in North America. This means that the interference levels are very low.

During our application process with ISED, Canada’s spectrum management body, we were asked to notify stations within 500 km of us on co-channel and first-adjacent frequencies. In Canada, we found that most of these stations have either gone dark, or switched to FM or other frequencies. Other broadcasters may not be so lucky.

Our own tests do confirm that the HD signal does not cope very well with any kind of interference past the 10 mV/m contour, including that which is generated by the new, fully electric transit busses the city has started rolling out.

RW: Is it correct to say that this is Canada’s first AM IBOC station?

Bury: Yes, CHLO is the first station using IBOC technology on the AM dial in Canada. Other broadcasters, us included, have chosen to simulcast their HD stations on HD subchannels of their FM sister stations or repeaters. Even though some have investigated setting up AM IBOC operations, for their own reasons, they never did.

RW: What is the digital air chain?

Bury: The air chain consists of a 900 MHz STL feeding into a Orban 9300 workhorse audio processor for the analog portion and an Omnia One for the HD portion. We started off running both on the Orban 9300 but found that the high frequencies were not very pleasant to listen to. The combined HD and analog signal then comes out of a Nautel NX3 transmitter running at 1000W during the day, 250W at night in analog into a single-stick 740-foot antenna.

RW: What are your observations about the signal quality and coverage so far?

Bury: So far, we noticed that the HD coverage is excellent out to about the 10 mV contour in the city limits, which perfectly covers our city of license and primary target area. In the countryside and away from human-made interference, the HD receivers have a pretty solid lock out to about 5 mV. Thus far we have not received any DX reports showing lock on skywave propagation and we’re waiting patiently for those to roll in.

RW: What comments have you had from listeners?

Bury: We’ve received nothing but positive comments from our listeners, mostly praising us for the added program data. Several have noticed the higher-quality audio, saying it’s comparable to online streaming and “less muffled.” Several of our advertisers have also noticed the improved audio quality and have shared their positive feedback.

RW: A DXer board posted a complaint that the signal is “wiping out 518 kHz Navtex.” Is that the case and what if anything should be done about that?

Bury: We have not received any reports of interference to other services nor broadcasters yet, so this is the first time I am hearing about it. We will investigate all reports of interference as is required during our testing phase by ISED.

Luckily, there are many things that can be done to mitigate such interference. We can play with the power of each IBOC sideband or even turn one off if required. We have a message playing on the air asking for reports of any interference via email to hd@am530.ca. The same address can also be used to send us reception reports.

RW: What else should we know about the project?

Bury: This has been a very exciting project for us, it was also a good learning curve to overcome. One of the challenging parts to the project was alignment of audio processing so that the switch from digital to analog in the weak reception areas is not too shocking to the ears. This is still a work in progress but we’re already seeing great results.

The post Evanov Tries Out Hybrid AM HD Radio in Toronto appeared first on Radio World.

Paul McLane

Poster Shows Automotive Radio Bands

Radio World
3 years 11 months ago
An interesting free poster from Rohde & Schwarz identifies frequencies used in automotive contexts.

Dan Slentz bought and installed a Rhode & Schwarz “Spycer” network storage system for his UHD video. It’s 2 petabytes, or 2,000 terabytes, and uses about 15 rack units in RAID5 configuration, all linked by fiber through a network fiber switch to Dan’s five edit cells and four record servers, which use 6 TB SSDs to record up to three hours of UHD video. The write speed of the SSD (Solid State Drive) is necessary for UHD video because spinning disc drives wouldn’t work.

While learning more from the Rohde & Schwarz website, Dan found a neat poster that Workbench readers will want. It gives a visual overview of the radio frequency bands and regulations “in today’s and tomorrow’s cars,” including broadcast, mobile communications (3G to 5G), communications (Wi-Fi, V2X etc.), global navigation, radar sensors and EV charging.

As the company notes, “Being able to manage the coexistence and interference of the various radio frequencies in an (electric) car is a major challenge for research, development and testing of in-car.”

The poster is available via mail or download.

Free is good

While we’re talking about free things, Dan reminds readers of the free Loudness Meter software from Bob Orban.

There are Windows and Mac versions; find them at www.orban.com.

Click on the “Downloads” tab, and scroll down the long list of product downloads to the Free Loudness Meter software.

Helping hand As seen on the Radio Shack site, the Hot Holder’s molded silicon block aids in construction projects.

Longtime Workbench readers may recall the “home-brew” console that a young enterprising Dino Gatsoula built, complete with remote starts and status indicators, which we featured in 2018.

Dino’s 24/7 Greek-formatted station, which he runs with his dad, is now an internet station, having graduated from SCA status.

An avid hands-on engineer, Dino found a useful soldering device, shown in the first photo, at the Radio Shack online store.

The Hot Holder is a stamped silicon block with holes to mount a variety of connectors and parts, as identified in the second image. It serves as a third hand when you are either soldering or assembling.

To that end, there are even a couple of slots for holding wires that need to be tinned or soldered together.

Head to radioshack.com for more information. And if you like Modern Greek music, listen to Dino’s internet station by visiting www.radioedra.com.

Available from Radio Shack online, the block can be used for a variety of connectors, and even wires. A peek inside (or behind)

Hall Communications Director of Engineering Edd Monskie is a deer hunter and sports shooter. Edd was looking for an inexpensive borescope to see down rifle barrels to check their condition and to inspect up close for flaws not easily seen by the naked eye.

Edd checked Amazon and found a variety of new LED-lighted borescopes. Most are under $100, and one is about $20. They usually have a USB connection, and many have a plug for direct access to Android phones. Since Edd uses an iPhone, he had to purchase a small Wi-Fi adapter as well.

Some are listed as “endoscopes,” although for our engineering application, these devices can be used for hard-to-reach equipment inspections. The LED/camera is mounted on a 3-foot or longer flexible cable, giving you a really good video picture of whatever you need to see over, under or inside. The model Edd bought has adjustable LED lighting, which is really helpful in dark locations.

Some people even use them to see inside engine cylinders with the spark plug removed. Aside from using it for his firearm inspections, Edd has used it to see various places inside racks and transmitters, even down a clogged sink drain.

A quick search of Google or Amazon will bring up a variety of choices. Just enter “borescope” or “endoscope” in the search block.

For inspections, Edd likes that you send the cable — rather than your face, hand or phone — into the dark location.

The post Poster Shows Automotive Radio Bands appeared first on Radio World.

John Bisset

Inside the June 16, 2021 Issue of RW Engineering Extra

Radio World
3 years 11 months ago

RW Engineering Extra is your deep dive into technology for the radio broadcast industry. It appears six times a year, in addition to the 26 regular issues of Radio World.

In this issue, Tony Peterle of WorldCast Systems writes that the emergence of MPX over AES technology to transport the signal via digitization presents a new topography, new challenges and new solutions.

Curt Yengst shares helpful applications to create your own schematics and PC boards.

Cris Alexander reflects on air chains then and now.

And Frank McCoy offers old ideas for a new cyberthreat environment.

Read the June 16 issue.

The post Inside the June 16, 2021 Issue of RW Engineering Extra appeared first on Radio World.

Paul McLane

NXP Joins RadioDNS

Radio World
3 years 11 months ago

Big semiconductor company NXP has joined RadioDNS, calling the decision a restatement of its commitment to broadcast radio.

The two organizations have worked together extensively but now the manufacturer becomes a formal member of the hybrid radio project.

Nacho Seirul-Lo Salas, NXP’s director of Program Management Customer Application Support, also joins the RadioDNS Steering Board.

He said in the announcement, “After years of fruitful collaboration, where NXP has presented at least three generations of hybrid radio demonstrators, NXP is now happy to join the RadioDNS organization to restate our commitment to broadcast radio and enhancement of its user experience by adding metadata from the internet.”

Nick Piggott, project director, said the decision “reflects the growing importance of our open standards for hybrid radio. … We’ll continue to work closely with [NXP] to help their OEM customers implement our global standards for hybrid radio.”

[Related: “Power Up Hybrid Radio With RadioDNS”]

The post NXP Joins RadioDNS appeared first on Radio World.

Paul McLane

Transmitters Prepped for Turkey

Radio World
3 years 11 months ago

From our Who’s Buying What page: This fun photo shows some of the 12 NV5LT transmitters currently in production at Nautel that are headed for Turkish Radio & Television.

“These transmitters are going to nine stations across five regions to enhance TRT’s coverage across Turkey,” the company said in a Facebook post.

The manufacturer recently landed a substantial contract to provide 5 kW transmitters to that client throughout 2021. Combined with other orders over the past decade, Nautel has said that its transmitters have been “used to modernize a large portion of Turkey’s national FM Radio infrastructure.”

Among other notable sales recently reported by Nautel, Cumulus station WFAS(AM) in White Plains, N.Y., is using a Nautel NX3 transmitter with Omnia.9 audio processor for its all-digital AM signal that went live in May.

[More postings on “Who’s Buying What.”]

Submit announcements to mailto:radioworld@futurenet.com.

The post Transmitters Prepped for Turkey appeared first on Radio World.

RW Staff

TechSurvey Says Christian and Public Radio Still Leading Radio Recommenders

Radio World
3 years 11 months ago

The best form of advertising has always been word of mouth. TechSurvey 2021’s way of measuring this metric for radio is the Net Promoter Score (NPS). When ranked on a likelihood to recommend scale of 1 to 10, those choosing 9 or 10 are classified as promoters. Those selecting 0 to 6 are the detractors. Applying simple math, percent promoters – percent detractors = NPS.

One thing that hasn’t changed since TechSurvey began publishing NPS scores is that Christian and public radio lead the noncommercial radio pack in the number one and two places respectively. Noncommercial radio has shown steady growth over the past 17 years, hitting an all-time high of 50% in 2021. Christian now has an impressive score of 80%, while public radio is close behind with 75%.

[Read: Survey Says Full Speed Ahead for Mobile Devices and Apps]

The commercial radio part of the NPS ranking has changed from TS 2020, where rock and country were in the lead, and alternative was bringing up the rear. This year, the leaders are rhythmic urban and urban AC, with news/talk in last place. The NPS numbers for TS 2020 were largely driven by women, younger demos and music fans. No breakdown was published for TS 2021.

Online meetings have experienced explosive growth over the past year and a half, largely due to COVID, and for the first time, Jacobs Media has begun to track who is attending, and how often.

The word Zoom has become ingrained in our vocabulary, often synonymous with any type of online meeting, even though there are Google Meet, GoToMeeting, Skype and other online gathering providers.

TS 2021 numbers suggest that daily and weekly participants in online meetings are largely in younger demographics, led by 53% of Millennials, with Greatest Generation at the trailing edge with 26%.

Online meetings have had unexpected benefits for some organizations. Many had relied on in-person gatherings in the past. That tended to restrict participants to those in close driving distance, and/or those who didn’t mind rush hour traffic and parking issues in urban areas. Online meetings have leveled the playing field, giving an equal presence to everyone regardless of distance from an organization’s main office.

 

The post TechSurvey Says Christian and Public Radio Still Leading Radio Recommenders appeared first on Radio World.

Tom Vernon

Bradley: LP-250 Is Not Dead in the Water

Radio World
3 years 11 months ago

“Despite some past speculation, LP-250 is not dead in the water. We are just starting over with a new plan and a different commission.”

That’s the assessment of Michelle Bradley, founder of REC Networks, on the topic of a possible power increase for low-power FMs.

In an online post, Bradley responded to a Radio World story in which we speculated that this week’s pending FCC action “affirming” a limit of 100 watts was bad news for REC Networks’ latest LP-250 proposal.

But Bradley said our interpretation was a misreading of events at the commission.

“The draft Order on Reconsideration merely upholds the FCC’s prior decisions made in the Report and Order in MB Docket 19-193, which prompted Petitions for Reconsideration by two different groups,” she wrote.

“The ‘finality’ that Acting Chair Rosenworcel suggests is the finality of these specific pending issues and once they were finalized, the commission could proceed with a LPFM filing window, which will follow sometime after November’s full-service noncommercial educational filing window.”

Bradley’s post details her extensive communications with the FCC staff over details of a possible 250-watt rule and why she believes her “Simple250” proposal will now get what she calls “a full set of downs.”

Her bottom line: “REC continues to feel that today’s FCC will have more of an appetite for an LP-250 rural expansion as compared to the previous Pai and O’Reilly FCC.”

Read her post.

The post Bradley: LP-250 Is Not Dead in the Water appeared first on Radio World.

Paul McLane

Media Companies Beginning to Feel Pinch from Component Shortage

Radio World
3 years 11 months ago

The media technology industry is facing a shortage of industry components.

Factory shutdowns during the pandemic caused shortages across the electronic components industry, affecting automakers, mobile device manufacturers as well as broadcast and media technology companies. To try to determine how widespread the problem is, the IABM, an international trade association for broadcast and media technology, recently conducted a survey across its membership of media technology suppliers asking for their direct experience with potential shortages of electronic components.

The survey yielded 130 responses from companies both within the U.S. and internationally and found that 40% of its member companies reported severe shortages while 45% were facing moderate shortages. Only 15% of respondents said they were seeing mild issues.

The IABM took this to mean that every company that responded said they are experiencing some level of problems in obtaining components.

“The worldwide shortage of electronic components … is also having a significant impact on the broadcast, media and entertainment technology industry,” said Lorenzo Zanni, head of knowledge at IABM. “We undertook this international survey because some of our members indicated that they were having problems sourcing components; these survey results, which were given to us by members in every geography, clearly show that this is an international problem.”

The survey revealed that 43% of those who responded said they were struggling to obtain chips in particular. Broken down between logic chips and memory chips, 13% of those respondents said memory chips were the specific item they were unable to obtain while 11% said they were looking for field-programmable gate arrays or FPGAs. Other items that were in demand included assemblies and subassemblies — including workstations, motherboards and printed circuit boards — followed by oscillators, GPUs, CPUs and small-form factor pluggable transceivers or SFPs. Fifty-six percent of all respondents reported shortages across most of these component categories.

The survey also found that geography is playing a role. Twenty-six percent of the respondents identified Asian Pacific countries as the source of supply trouble — although a majority saw this shortage as an international problem with supply issues appearing nearly everywhere components are manufactured.

What next? The survey asked respondents what steps they were taking to mitigate the effects of these shortages; 40% said they are finding alternative suppliers or spreading orders across several manufacturers with 31% either ordering large stocks of supplies or paying more for components. Of those surveyed, 19% say they are managing customer expectations successfully and 10% are simply waiting for the market to improve.

There doesn’t seem to be an easy fix for this issue, Zanni said. “[G]iven the difficulty in obtaining some of the rare raw materials and the fact that you can’t suddenly switch up production to meet demand, [this problem] looks likely to be with us for some time to come.”

One solution proposed by the IABM is the BaM Stock Exchange, a database that will allow IABM member companies to search for and find high-demand components. The goal is to help IABM members to obtain the parts they need or reduce their unused stock overhead.

The exchange is searchable and filterable in an effort to help a company connect with a company with extra stock. Most media technology companies do hold some stock of components, including those that they may no longer use, said Peter White, IABM CEO. “Since many components are common across broadcast and media tech suppliers, it makes compelling sense to use the industry’s independent, international organization as an exchange,” he said, adding that idea came from a conversation with Grass Valley CEO Tim Shoulders.

“IABM is committed to building and sustaining a thriving global media tech community and this kind of initiative plays perfectly with that mission,” White said.

 

The post Media Companies Beginning to Feel Pinch from Component Shortage appeared first on Radio World.

Susan Ashworth

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