Radio World

Acknowledging the “pain” and “very difficult decisions” radio and TV stations have been making, NAB President/CEO Gordon Smith hailed broadcasters for their work during the pandemic.

Smith opened the online iteration of the NAB Show today with his traditional state of the industry address. “Broadcasters endure,” Smith said. “Right now, you are in the darkest valley, but know that for most Americans, you are their beacon of light and hope. You are on the front lines of this battle, and I want you to know that NAB stands together shoulder to shoulder with you.”

[Read the NAB Show Daily]

On the regulatory front, Smith said the FCC “heard our concerns and has announced multiple extensions of deadlines, clarifications and exceptions to existing policies.” (Read his full remarks at the bottom of this story.)

Smith hailed the work and role of radio and TV broadcasters in challenging times.

He hailed stations for their journalism and support for local businesses, schools and charities; and thanked them for airing NAB’s spots to help stop the spread of COVID-19. “You are not simply helping your communities stay healthy, you are offering them hope. You are giving them a literal lifeline.”

In a subsequent conversation with FCC Chairman Ajit Pai, Smith said that the radio industry has been “doubly damaged” by the nation’s advertising downturn.

Pai said that he too had heard from broadcasters that it’s “very hard for small-town radio to keep the lights on,” and said the commission has been exploring regulatory relief including fee structures. He encouraged stations to tell the FCC how it can advocate. Pai said he wants to see the broadcast industry stay vibrant and “not shrivel.”

And there was a bit of byplay to amuse watchers of the political scene.

Pai described Smith, the former U.S. senator and fellow Republican, as a mentor. Smith asked Pai what will come next for him personally after he eventually departs the FCC, adding with a smile that Pai should move on to the White House. Pai demurred to talk about his next role, saying he was amused by speculation he’s heard about his future. But Smith concluded the interview, again with a smile, saying, “I’d be happy to be your vice president.”

* * *

Here is the text of Gordon Smith’s opening remarks:

I’d like to thank all of you for joining us for NAB Show Express. This is a new format and new experience for all of us. And while we can’t wait to be together again in Las Vegas next year, we plan to share many new digital show offerings with you in the future.

I particularly want to take a moment and thank the companies that support the broadcasting business — our exhibitors. Without you, our show would not be what it is. We are particularly grieved not to have in-person exhibits this year. We are all enduring this hardship together, and we appreciate those of you who have been, and will continue to be, NAB Show partners.

This current health crisis is an unprecedented time for our business … for our country… and even our world. Most of us have never lived through a global pandemic of this nature. It is impacting literally everything we do — from our families, to our friends and of course our businesses and our livelihoods.

NAB honored Jim Henson, creator of the Muppets, with its Distinguished Service Award. Kermit the Frog made a virtual appearance with Smith and Henson Co. Chairman Brian Henson.

I have talked to many of our broadcaster members during the past two months, and I have felt their pain and empathized with the very difficult decisions they are making. Some have had to take out loans to make payroll. Some have had to let go of trusted and capable staff. And some… I am very sorry to say, have had to close their doors entirely.

We don’t know how long this pandemic will last, or what the lasting effects of it might be on our economy. But there is one thing I do know… broadcasters endure. Right now, you are in the darkest valley, but know that for most Americans, you are their beacon of light and hope. You are on the front lines of this battle, and I want you to know that NAB stands together shoulder to shoulder with you.

It is a bit ironic, or maybe fortuitous, that this year, we are celebrating the 100th anniversary of broadcasting, and the story of our great industry is one rooted in keeping our communities safe, informed and connected. It is interesting to note that during the time of the first commercial radio broadcast from KDKA in Pittsburgh in 1920, America was just coming out of another pandemic — the 1918 Spanish flu.

Throughout the last century, America’s local radio and television broadcasters have been there to provide a reassuring voice and a sense of community during our nation’s most harrowing days.

Now, as the world faces an uncertain situation with the COVID-19 pandemic, your work is more important than ever.

Whether it’s providing the trusted journalism that is keeping our communities informed or providing access to our nation’s leaders and medical experts to help us better understand the crisis, you are protecting lives.

FCC Chairman Ajit Pai spoke with Smith during the opening. One of the chairman’s children was heard hollering in the background.

Broadcasters feel the suffering of their communities and have stepped up like never before to support small businesses and local restaurants, raise funds for those who have lost their jobs and help feed the hungry.

You’re also partnering with schools to allow teachers to assist children who have had their lives turned upside down and now must transition to virtual classrooms in the home.

The response from broadcasters — who themselves are fighting for their lives and livelihoods — has been nothing short of phenomenal.

We are incredibly grateful to all the stations who are airing NAB’s spots to help stop the spread of COVID-19, donating nearly $100 million worth of airtime so far.

But your commitment goes far beyond airing public service announcements. You are not simply helping your communities stay healthy, you are offering them hope. You are giving them a literal lifeline. You are a connection when Americans are desperately seeking ways to stay connected. And this is what broadcasters have done for 100 years.

We know this is likely the most challenging time local stations have ever encountered. This pandemic has crippled our nation’s economy and our industry has not been spared. Broadcasters are confronting plummeting advertising sales and enormous operational challenges. And yet, stations are doing what they do best: delivering the trusted and lifesaving information your communities need.

We know you cannot rest, and we won’t either.

NAB is working around the clock to deliver meaningful relief for the industry. And, we have appreciated the hard work and support of our state broadcast associations in our advocacy efforts. This includes urging legislators to allow local stations to apply for forgivable loans and to ensure the money the federal government is spending to advertise its programs is directed to local media. We have broad bipartisan support across Congress on these initiatives.

We are working closely with regulators as well, addressing areas of need for radio and TV stations, allowing you to focus on your role as first informers.

I am pleased that the FCC heard our concerns and has announced multiple extensions of deadlines, clarifications and exceptions to existing policies.

We won’t stop fighting for you and the relief you need to stay on the air.

Our great industry has endured for the past 100 years because of the indispensable and irreplaceable role broadcasters play in every town and city across the nation. And we will endure for at least 100 more, because you are the backbone of our country. You are truly what makes America great. And we are in this together.

I am reminded of a quote by American poet Theodore Roethke, “In a dark time, the eye begins to see.”

Though much remains uncertain, of this I can surely see: America’s broadcasters will always be there for their communities to lead them out of darkness during times of crisis… to connect us to our friends, family and community and to provide comfort and hope. This is true now, and it will be true when this crisis is over.

I am grateful for your strength, courage and conviction that will help us get through this together…and I am thankful for the reminder your stations provide each day… that we are not alone.

 

The post Smith Salutes Broadcasters: “Right Now, You Are in the Darkest Valley” appeared first on Radio World.

A group of unions under the AFL/CIO umbrella has issued a call to protect news teams during the pandemic and the process of reopening.

[Read: FCC Waives an EEO Requirement for Rehires]

News workers are considered an essential group of individuals and thus must be protected, according to the Department of Professional Employees, a coalition of 24 unions. As radio and TV broadcasters continue their jobs during the pandemic, DPE issued a set of guidelines calling on employers to ensure that:

• Basic safety guidelines are followed when an individual needs to be in the newsroom, control room, studio or in the field. This includes following government guidelines on social distance and protective measures, with workers supplied adequate personal protective equipment;
• Work that can be done from home should continue to be completed there, with proper tech support for the worker;
• Professional cleaning crews sufficiently disinfect all worksites and field vehicles;
• Employers adopt strict contact tracing plans to self-isolate those who may have been exposed to the coronavirus;
• Layoffs, furloughs and reductions in employee hours should be considered only after all other options have been exhausted.

“News workers have helped tell the story of this pandemic, its heroes and its ramifications,” said DPE in a statement. “At the same time, thousands more in the industry have lost jobs along with millions of other Americans. News is essential, perhaps like never before. As parts of our society and economy begin to reopen, we want to do everything we can to make sure media workers have safe and fair workplaces.”

Among the unions endorsing the statement are SAG-AFTRA, the Directors Guild of America and the International Brotherhood of Electrical Workers.

Broadcasting jobs have been hit hard by the pandemic with companies such as Urban One, Cumulus Media and Beasley Media Group cutting or furloughing employees, reducing salaries and taking other steps in the face of the business downturn.

As media companies begin the process of reopening radio properties in some states, employers must continue to be vigilant to protect news workers’ safety, the unions say.

 

The post Unions Call on Broadcasters to Protect News Workers appeared first on Radio World.

We ask the FCC’s Al Shuldiner about interference complaints, the transition to LMS and the planned move of FCC headquarters. (Oh, and about the health crisis.) Also: Radio engineers talk about business continuity; Radio Marti begins shortwave DRM transmissions; the commission changes the LPFM technical rules; and Buyer’s Guide checks in on tools for visual radio.

Read it online here.

Prefer to do your reading offline? No problem! Simply click on the digital edition, go to the left corner and choose the download button to get a PDF version.

The post Inside the May 13 Issue of Radio World appeared first on Radio World.

Three businesses related to the familiar Orban brand announced the settlement of a years-long legal dispute.

According to the announcement, Orban Labs Inc., Circuit Research Labs Inc. and Orban Europe GmbH settled issues stemming from DaySequerra’s purchase of Orban in 2016. The announcement also lays out the future roles of several executives familiar to Orban customers.

The companies said ownership of Orban Europe GmbH and all other worldwide Orban assets are being transferred to Orban Labs today, May 12.

[Read: Orban Offers AM Processor]

As part of the settlement, Orban Labs President David Day said, “We are streamlining our sales order processing and inventory management by combining our businesses worldwide into one operation. We are making these changes to better serve Orban’s loyal customers and dealers.” He said production will continue in Germany and that Orban products will continue to carry five-year warranties.

Day also announced the promotion of Peter Lee to senior vice president, global sales. Roger Sales continues as managing director of Orban Europe GmbH.

The statement quoted Lee: “I welcome the opportunity to provide the best customer sales and technical support in the industry working with our U.S., German and Netherlands staff.” He said all Orban processors continue to be designed and engineered by Bob Orban and his design team.

Orban Labs also appointed CRLI, operated by Jay Brentlinger, as a U.S. dealer for Orban radio products. CRLI will also provide parts, service and support for older, legacy Orban products from the Optimod 8400 and earlier. Day noted that some Orban products from the 1970s are still in service.

 

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Calling it a new direction for the organization, Christian radio biggie Educational Media Foundation has launched an online podcast platform called Accessmore.

EMF is the parent organization of the K-LOVE and Air1 networks, and their 1,000 or more broadcast signals. Last year it added WTA Media, a film and publishing business.

It highlights its new offering as a growing library of on-demand, faith-based podcasts.

[Read: EMF Names Reeves Permanent CEO]

Previews are at accessmore.com. EMF said its app will be available soon on Apple and Android.

Accessmore will feature “Christian teachers, authors, speakers and entertainers sharing content designed to inform and inspire.”

“Launching Accessmore is a natural step for EMF as it debuts its distribution in podcasting,” the company said in the announcement. “More than 104 million Americans — 37% of the population — listens to a podcast monthly, according to PodcastHosting.org. About 68 million listen weekly.”

 

The post EMF Launches Podcast Distribution Effort appeared first on Radio World.

LONDON — Plans have been finalized for small-scale DAB radio licensing in the United Kingdom, following several years of trials.

Ford Ennals is CEO of Digital Radio UK.

Media regulator Ofcom describes small-scale DAB as “a new way of transmitting digital radio that uses advances in software and low-cost computer technology to provide a flexible and inexpensive approach to the terrestrial broadcast of digital radio services to a relatively small geographic area.” The concept was first tested in 2012 by Ofcom engineer, Rashid Mustapha MBE, who initially trialed it by installing a digital radio transmitter on a Brighton rooftop.

BATCHES

Ofcom engineers commission small-scale DAB trial equipment. Credit: Future Digital Norfolk

The regulator says the new licenses will be made available in batches, starting with 25 local areas across the U.K., including five cities such as Cambridge and Glasgow where trial broadcasts are already underway. The second round will be for northwest England and northeast Wales.

However, the impact of the coronavirus pandemic means there is no date for this licensing process to commence. Ofcom says it will now wait to publish the first advertisements until “a majority of relevant stakeholders consider that they would be able to participate fully in the licensing process.”

It has also not yet concluded full international agreements for the use of spectrum in London and southeast England, which means these areas will not be included until the fourth round of licensing, at least 18 months into the program.

Based on responses to its consultation, the regulator also decided not to require all program services carried by small-scale multiplexes to be broadcast using the DAB+ standard, as had initially been proposed.

The CEO of Digital Radio UK, Ford Ennals, welcomed Ofcom’s statement. “This is good news for radio and good news for listeners, as the expansion of small-scale DAB gives listeners a wider range of smaller stations available on DAB and gives small local stations a path to a digital future,” he said.

UNIQUE SERVICES

A typical small-scale DAB installation at Future Digital Norfolk. Credit: Future Digital Norfolk

“Following the success of the fantastic range of unique and fresh local commercial and community services in the 10 trial areas, we can expect to see many hundreds of local stations joining radio’s digital revolution across the U.K.”

Femi Bankole, the founder of Cosoro Radio, an Afrobeat station based in Manchester, which broadcasts via four small-scale multiplexes, believes that being on DAB has brought more people to the Afrobeat genre.

“Small-scale DAB has provided a richer and scalable platform for Cosoro Radio to extend its reach and introduce the genre to its new listeners, especially the young generation,” Bankole said.

DAB now accounts for 41% of all radio listening in the U.K., and 70% of digital listening. The recent launch of chill-out music station Smooth Chill on national DAB+ means that more than half of all national commercial digital radio stations in the U.K. are broadcasting in DAB+.

There are now 41 national digital commercial stations in total, with 21 broadcasting in DAB+.

The post Small-Scale DAB Prepares for UK Rollout appeared first on Radio World.

Just as people have adjusted their day-to-day living habits under a COVID-19 world, so too have they adjusted their listening behaviors. A series of client webinar surveys held by Nielsen looked at spending intentions, listening habits and perceptions about when the world will return to normal — and found that heavy AM/FM radio listeners may hold a key to kickstarting that engine.

The first key insights that the survey revealed is that radio listening is on the rise, that listeners are tuning in with greater frequency to news/talk formats and that those with greater spending optimism are more likely to be heavy AM/FM radio listeners.

[Read: Amidst Stay-at-Home Orders, Radio Listenership Remains Strong]

“Advertisers who seek to influence shoppers who are ready and willing to spend will find them listening to American AM/FM radio,” said Pierre Bouvard, chief insights officer at Cumulus Media/Westwood One and author of the report.

One of the key findings: radio listening levels rose in the first few weeks of April after seeing a dip during the last few weeks of March. After all of those surveyed said they listened to radio in the first week of March, listener levels dropped significantly — to a low of 67% — in the back half of March as people began sheltering at home. But during the three-week period between late April and mid-May, those levels rose 22% to a high of 82%, perhaps as Americans began searching for information and news about the coronavirus.

The survey also found that the highest level of radio listening occurred during the weekend. “A major finding from Nielsen’s Portable People Meter data is the significant resurgence of crucial weekend listening which occurs as Americans run errands and shop,” Bouvard said.

Those trips to the store for supplies or food correlate with survey data by two geolocation sources: Apple Maps and Geopath. Both reported significant levels of driving trips and miles traveled.

Even during the regular weekday, the majority of listeners were consuming AM/FM radio when they’re out of the home. The study found that 58% of all U.S. AM/FM radio listening in the April PPM market survey was out of home, compared to 71% in March. In April, 27 of Nielsen’s 44 PPM markets had out-of-home listening volumes that were over 60% of total listening.

It’s probably no big surprise to reveal which station formats had the greatest share. When looking at the 45 different markets that were used in the survey, news/talk formats (both commercial and noncommercial) grew by double digit amounts in February, April and March. In February news/talk grew by 12%, in March it grew by 13.3% and in April it grew by 15%.

Nielsen also commissioned a separate survey of 1,000 Americans and asked them what their spending intentions were in the midst of the coronavirus pandemic. Nielsen identified three consumer segments with varying degrees of post-COVID-19 normalcy: those with a “wait and see” attitude, those with a “proceed with caution” outlook and those with a “ready to go” outlook.

The “wait and see” group were those consumers who do not believe that life is normalizing or that the economy is opening up. The “proceed with caution” consumers are those in the middle when it comes to resumption of the economy. The “ready to go” are those Americans most optimistic about a return to normalcy.

The study found that roughly one-third of those surveyed fall in the “ready to go” category feel positive about life returning to pre-coronavirus norms. Those individuals also had stronger spending intentions.

Across seven categories, the “ready to go” group had high-spend intention indices for purchasing within a month. Within a month, this segment said they were 29% more likely to spend on auto parts and repair, 47% more likely to spend on household services and 43% more likely to spend on home improvement. That group tended to be younger individuals who are employed with kids, work outside the home and spend a lot of time in their vehicle.

One of the study’s major conclusions is that those with greater spending optimism are more likely to be heavy AM/FM radio listeners.

The survey found that heavy AM/FM radio listeners say they will spend more soon. Those individuals who fell into the “ready to go” group were 29% more likely to be heavy AM/FM radio listeners.

Across various consumer categories, heavy AM/FM radio listeners are far more likely to indicate that they will be spending in the near term compared to heavy TV viewers, he said.

Radio bested TV in a number of subsequent areas including the percentage who expect to order take out within the near term, to visit a hair or nail salon, to plan a vacation, and to make a major purchase such as an appliance.

One third of those who referred to themselves as heavy AM/FM radio listeners also said they were more likely purchase an auto or home purchase in the next 12 months.

“There is a growing number of optimistic Americans who feel life is returning to normal,” Bouvard said. “These consumers are ready to be at the forefront of marketplace spending across dozens of categories.”

These high and moderate optimists and their growing consumer confidence are key drivers of the country-wide momentum towards a more normal way of life and spending, he said.

 

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The coronavirus pandemic in the United States squashed any hopes for a good first quarter of 2020 for iHeartMedia.

The radio company reported late last week it saw a deep decline in advertising revenue in March as the COVID-19 pandemic intensified. Revenue through the first three months of this year was $780.6 million, down 1.9% year-over-year driven by the effects of the COVID-19 outbreak. Excluding political revenue, that dip was 4.8%, the company said.

The company, which announced sweeping modernization initiatives in February, suffered a $1.65 billion net loss in the first three months of the year, but that figure was in part caused by a readjustment of intangible assets tied to its emergence from bankruptcy in 2019, according to company officials.

[Read: iHeart Offers Programmatic “COVID Recovery Program”]

The media giant reported its traditional radio business revenue declined by 5.2% to $461.6 million, and declined 8.3% excluding the impact of political revenue. Meanwhile, its radio network revenue, which includes Premiere Networks and Total Traffic and Weather, declined 2.6% year-over-year.

iHeartMedia, which owns about 850 radio stations in 150 markets, had about $647 million cash on hand at the end of March 2020, according to the financial report. It has also cut capital expenditures by about $80 million for the remainder of 2020.

Bob Pittman, chairman and CEO of iHeartMedia, spoke on the earnings call and said the year started off with strong growth. “However, revenue began to fall off in March, as it did for most ad supported companies, and that trend became even more pronounced in April, with a sharp decline in ad revenue across almost all of our revenue segments,” Pittman said on the call.

Direct operating expenses for the media company increased 6.6%, driven primarily by incremental costs related to the company’s modernization initiatives, which were incurred mainly in January and February, according to the company’s report. Those expenses also included higher content costs from higher podcasting and digital subscription revenue and higher music license fees and digital royalties.

On the plus side the company says its digital revenue grew by 22.2% compared to the first quarter a year ago, driven by podcasting revenue, which saw an 80% increase.

Pittman says while national and local ad budgets were cut even further in April, advertising sales revenue is beginning to return in markets that are reopening. “Advertising overall and most of our advertising streams have seen a major drop, and the reasons are obvious. Many businesses are shut down. Businesses and brands needed time to rebuild their messages to be relevant in a completely changed world. And companies needed to save money, and many did so by reducing or eliminating ad spend,” he said.

iHeartMedia announced in April it was taking steps to trim about $200 million in costs from its business this year in response to the pandemic. The steps included employee furloughs, wage cuts other initiatives. The $200 million in cost-savings is in addition to $50 million in expected savings achieved through modernization initiatives.

 

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Satellite radio is about to get an important boost in capability. U.S. car buyers will soon get their first look at the new 360L hybrid radio system from SiriusXM.

The company announced that the platform will debut in ten 2021 model year Audi vehicles that will be in showrooms this fall.

Hybrid radio systems combine over-the-air reception (in this case, via satellite) with online connectivity including streaming content (delivered in this case by Verizon’s 4G LTE network).

Combining OTA service with two-way connectivity has been a dream of many in the radio industry, and there are several initiatives underway to bring that kind of capability to broadcast radio as well. In that context, the launch of 360L seems an important differentiator for satellite radio in the dash.

[Read What NAB’s David Layer said about 360L in “NAB Radio Technologists Look Ahead]

In the announcement, Audi America’s director of connected services Pom Malhotra was quoted saying, “The choices provided by SiriusXM with 360L are nearly unlimited, and they help bolster our technology-forward position among premium automakers.”

Selling points include 10,000 hours of recorded on-demand content such as interviews, shows and live performances; more live channels; and personalized “For You” recommendations and the ability to search for related content.

SiriusXM with 360L will be standard on A6, A7, A8, Q7 and Q8 models, and standard in most trim packages for the A4, A5, Q3, Q5 and all-road models. Those should be in showrooms by fall; other models are expected to be added.

Rodney Pickett, SiriusXM’s senior VP of automotive partnerships, complimented Audi for its “long-established track record as a leader of in-vehicle technology.”

 

The post SiriusXM Will Debut Net Hybrid Radio System in Audi Cars appeared first on Radio World.

The dynamic podcast market will see an acquisition next month.

LiveXLive Media plans to acquire Courtside Group, owner and operator of PodcastOne, in a deal valued at $18.1 million. The deal is expected to close soon. PodcastOne leader Norm Pattiz will stay on in an executive role.

PodcastOne produces shows like “A&E’s Cold Case Files,” “The Adam Carolla Show” and “The Big Podcast With Shaq.” It says it generates 2.1 billion downloads a year and produces 350 weekly episodes. The company reported gross revenue of $27.5 million last year.

According to Robert Ellin, chairman and CEO of LiveXLive, this move will complement its music platform of streaming audio, on-demand video and live event performances. LiveXLive Media’s offerings include LiveXLive, a “live social music network” consisting of streams and on-demand programs from festivals like Rock in Rio and the Montreux Jazz Festival. In addition, LiveXLive plans to integrate PodcastOne into its music platform.

According to the two companies, 32% of Americans are now listening to podcasts on a monthly basis, with advertising revenue projected to surpass $1 billion by 2021.

[Read Radio World’s 2019 interview, “Norm Pattiz: Podcasting’s Inflection Point Is Yet to Come”]

The exact path of consolidation of the companies, both headquartered in Los Angeles, is to be announced. They did say that PodcastOne will bring in an experienced ad sales team, tripling the size of the LiveXLive sales force. However it also looks like there will also be cuts: “Planned consolidation of teams is anticipated to generate cost synergies and combine back-end support and office locations.”

The companies announced that PodcastOne’s founder and its executive chairman, Norm Pattiz, will join LiveXLive as a “significant” shareholder and remain as executive chairman of PodcastOne. Pattiz is best known as founder of the Westwood One radio network.

Under the terms of the agreement, LiveXLive will acquire 100% of the equity interests of Courtside Group and issue to stockholders of PodcastOne approximately 5.45 million restricted shares of LiveXLive’s common stock.

The post LiveXLive Media to Acquire PodcastOne appeared first on Radio World.

Beasley Media Group is beginning a reopening process today as parts of the United States feel their way toward next steps in the coronavirus crisis.

The company, which owns 64 radio stations and has several related audio and ecommerce businesses, announced over the weekend that it will “begin the approved gradual Phase One implementation of reopening its radio properties in states that have reopened for business” beginning May 1.

[Read: Beasley Cuts 67 Jobs, Furloughs Others]

“Both the timing and safety measures for these reopenings will be based upon approved CDC, individual state and local government recommended guidelines,” Beasley stated.

“During Phase One, no more than 25% of each cluster’s individual workforce will be in the workplace at any given time.”

CEO Caroline Beasley described the company’s approach to the reopening as “very conservative, thorough and thoughtful.”

The post Beasley Media “Begins Reopening Process” appeared first on Radio World.

Two CBC Radio producers — one in Montreal and the other in Canada’s Far North — co-produced a national show for six months before they actually met. The May issue of Radio World International details how they successfully produced this radio show while separated by 2,000 kilometers.

This edition also features articles on the EU-funded HRadio hybrid radio project to deliver personalized, on-demand content to listeners; how the EBU head of technology and innovation imagines future infotainment systems in connected cars; the latest offerings in audio processing, and more.

Read the May issue of Radio World International here!

Prefer to do your reading offline? No problem! Simply click on the Issuu link, go to the left corner and choose the download button to get a PDF version.

 

TECHNOLOGY

How Will In-Car Entertainment Look in 20 Years

EBU’s head of technology and innovation envisions the future infotainment system in connected cars

HYBRID RADIO

HRadio Exploits Hybrid Technology for Radio

EU project seeks to deliver personalized, on-demand content to listeners

ALSO IN THIS ISSUE

Exploring the Inovonics 674 AM Monitor Receiver

Brave New Radio Airs Live From Marconi’s Home

Buyer’s Guide: Audio Processing 

The post Inside the May issue of Radio World International appeared first on Radio World.

Ampegon Power Electronics highlights progress on the company’s third-generation solid-state shortwave transmitters, which it says will offer “significant advances in efficiency.”

The company says this work will pave the way toward higher-power broadcast outputs and meet current expectations of a shortwave equivalent to medium-wave and FM transmitters. “Combined, these two developments will bring FM-quality broadcasts with all the benefits of shortwave,” said Simon Keens, Ampegon sales and business development manager.

Ampegon has also developed a retrofit upgrade to current UCS generation control systems for previous generation 100 kW, 250 kW, 300 kW and 500 kW transmitter systems.

“Given that the lifetime of Ampegon transmitters is measured in decades, many systems currently in operation — previous ECAM and ECOS-II generation transmitters supplied under the names Thales or Thomson (Ampegon’s previous names) — either do not have DRM-ready control systems, or have a need for now-obsolete spares,” said Keens.

The upgrade promises to bring touchscreen technology, efficient PSM operations and “quick and precise” retuning with digital motor control to existing transmitters.

 For information contact Ampegon Power Electronics in Switzerland at +41-58-7104-400 or visit www.ampegon.com

The post Ampegon Puts Focus on Shortwave Transmitters appeared first on Radio World.

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

Earlier this month a news cycle was filled with stories of the U.S. appearance of the “murder hornet,” a superbug that seemed like yet another stress in an already tense period. Public media’s murder hornet may have arrived as well.

For nonprofit radio and television, revenue comes via underwriting. Underwriting is already pressed by COVID-19. So, when a murder hornet of a case — one that seems altogether different and dangerous — shakes up underwriting, community media must take notice.

A recent complaint to the FCC involving underwriting thus should be a particular concern, and a reminder that caution as well as courage is a must.

Community Broadcaster: #GivingTuesday and Radio

Current reports WUNC, based at the University of North Carolina in Raleigh, N.C., was the target of a filing in Washington. The FCC complaint alleges the station broke commission rules on underwriting language for spots by Duke Energy. According to Jim Warren, the complainant, the underwriter’s tagline is not value neutral, and generally promotional in nature. Warren cites FCC rules in claiming the announcements are misleading.

As FCC complaints go, this is fairly standard stuff. Where this story gets interesting is what’s not in the complaint.

It turns out Warren is a frequent public opponent of the underwriter, blaming the business for Hurricane Florence, among other alleged misdeeds. Although one certainly must accept at face value worries in the complaint about underwriting integrity, it may also be fair to wonder if this focus on a particular underwriter is selective.

UNC President Connie Walker told Current the spots follow FCC rules. At stake are thousands of dollars in fines the station would absorb during a pandemic, when few stations are in a good position to do so.

Here is where caution and courage come into play.

Language and underwriting have been on the FCC’s radar over the last 12 months. Most famously, the University of Arkansas admitted mistakes in underwriting copy, but several stations have been penalized for announcements that veered into commercial territory. Every community radio station should exercise care when crafting underwriting scripts. Calls to action, qualitative phrases and other prohibited terms are well established. There are also many items that are completely permissible. No station should be careless when airing underwriting spots. That urgency is only heightened if your station has an instance where someone has a disagreement with an underwriter and wants to take it to a higher power, namely the FCC.

Within community radio, differences over underwriting are not new. As a former program director, I fielded calls about bars, nonprofits and various for-profit businesses listeners took issue with. I expect most stations do not have to try hard to find listeners who disagree with any number of businesses. Many of us simply stay the course, knowing we are serving our audiences with the news, information and music they appreciate. if your station chooses to ride out pushback against your underwriting or editorial choices, you’ll find wisdom, compassion and commitment to media access are your best repellent.

Pew Research remarks we live in polarized times. Amid social distancing, community radio stations will be asked to be conveners of diverse listeners, their employers and many others. Our ability to unite everyone hinges on trust in following the rules and providing the best programming we can.

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Digital Alert Systems is now offering a Software Assurance Plan for its line of emergency alert system devices. This plan will allow customers to ensure they are in compliance with current requirements via automatic notifications when new software is available.

[Check Out More Products at Radio World’s Products Section]

The Software Assurance Plan is available to all customers running Version 4.0 software. With the plan, customers can immediately update to Version 4.1, with strengthened EAS/CAP security and compliance management, as well as new features in line with FCC compliance requirements. Future software releases will be automatically provided at no extra charge, including Version 4.2, which is expected to be available upon the release of Software Assurance Plan.

Additionally, Software Assurance Plan members will be able to receive discounts on repairs and additional software license keys. If a member’s current hardware is no longer supported, Digital Alert Systems says it will replace the hardware at a discount.

Info: www.digitalalertsystems.com

 

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With an eye on a reopening economy, iHeartMedia rolled out a suite of programmatic offerings for advertisers that it dubs the SmartAudio COVID Recovery Program.

 SmartAudio is the company’s programmatic platform. The announcement of offerings targeting a recovering consumer economy was made by President of Revenue and Data Operations Brian Kaminsky.

[Read: Grace Broadcast Is Selling Self-Care Audio Clips]

The suite includes the “SmartAudio COVID Community Recovery Index,” which incorporates location-based marketing. “With different communities recovering at different times and at different paces, it’s important for brands to be able to adjust their messaging based on whether their community is still under a stay-at-home order, beginning to reopen local businesses or have already established their new way of conducting business post COVID-19,” iHeart stated in the announcement.

So the index “dynamically optimizes a brand’s creative to deliver the right message at the right time to the right community by using location-based mobility data to gauge the number of people out of home for recreation, shopping or headed to work.”

The new programmatic offerings also include “SmartAudio Brand Loyalists,” which targets a business’ customers who listen to broadcast radio, and “SmartAudio Unlimited.” The latter lets brands take the audience data used to create SmartAudio broadcast radio campaigns and apply it to marketing efforts on mobile, the internet and smart speakers via iHeartRadio. You can read the announcement here.

 

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Four of the most prominent radio groups in the United States say more research is necessary before the FCC can seriously consider allowing zoned FM broadcasting.

Their filing comes as something of a reality check after several other organizations have expressed general support for the idea. The four groups are worried about a zoned system causing confusion among FM listeners as well as the risk of “self-interference,” which would harm FM’s standing with consumers. GBS has been vocal about the potential benefits to FM broadcasters.

The companies — iHeartMedia, Cumulus, Entercom and Beasley — wrote, “Technologies that are not yet widely proven which could cause interference to the primary signal, as well as confusion among radio listeners as the primary signal is handed off to a localized signal, should not prematurely be adopted as a default standard without more real-world experience gathered with experimental authorizations.”

[Read: Let’s Investigate Geo-Targeting, NAB Tells FCC]

They commented on the petition from GeoBroadcast Solutions, which wants the FCC to allow FM boosters to insert programming different from that carried by the booster’s primary station. This would allow GBS to deploy its ZoneCasting product and let FM broadcasters send unique ads and program content to very localized listeners.

“While this, or similar technologies to provide for zoned broadcasting by FM booster facilities, may ultimately prove valuable,” the groups wrote, the FCC first needs to develop a record of the feasibility of the technology based on further experimental authorizations.

“Automatically authorizing such an unproven technology … is particularly premature given the proponent’s acknowledgment that listeners will experience some degree of ‘self-interference,’ as the booster signal is handed off from the primary programming to the zone programming,” they wrote.

They acknowledged that GBS referenced several studies of its ZoneCasting technology but said there has only been one “real-world” experimental test of the current iteration. “That is a slim basis for the commission to proceed with a Notice of Proposed Rulemaking to change the booster rule to allow automatic use of a barely-tested technology system with known downsides.”

They said that by moving to an NPRM as GBS has requested, the FCC would essentially endorse ZoneCasting “without the need for implementers to report back to the commission on the benefits, problems and/or weaknesses of the system.”

[Read: Stations Groups Push for Translators to Originate Content]

They said third parties should be able to “formulate legitimate comments based on either direct experience with the technology, or grounded in widespread experimentation in varied locations.”

Among their concerns is that the technology might generate confusion as listeners cross transition zones, particularly when driving through alternate programming zones while listening to FM radio in their vehicles. In that case, “Independent parties will need to study whether the end result could be to drive listeners to leave the medium, which could harm all broadcasters seeking to serve listeners via over-the-air FM transmission.”

They asked the FCC to allow more experimental authorizations and reporting, as it has done for other technologies like Single Sideband Suppressed Carrier Modulation, all-digital on AM, Modulation Dependent Carrier Level controls and HD Radio. “The commission also typically conditions continuance of the experimental authority on the lack of objectionable interference.”

The groups concluded by saying that zoned broadcasting “may ultimately be a promising technology” and that with a real-world record, the commission could consider rule changes.

 

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LONDON — The United Kingdom’s Absolute Radio is adding to its line-up of “decades” stations with Absolute Radio 40s, a pop-up service to mark the 75th anniversary of VE Day.

Absolute 40s marks the 75th anniversary of VE Day.

The station, which will be entirely dedicated to the 1940s, will broadcast for one day on Friday May 8 and will play an uplifting mix of songs from artists including Billie Holliday, The Andrews Sisters, Judy Garland, Glenn Miller and Bing Crosby.

UPLIFTING MIX

Absolute Radio 40s will also include special news bulletins charting events as they unfolded on the day in 1945. Presenters from the main Absolute Radio service such as Dave Berry, Jason Manford, Leona Graham and Claire Sturgess will also be featured on the special station.

Paul Sylvester is Absolute Radio’s content director.

The pop-up service will take over Absolute Radio’s 1215AM frequency across the U.K. for 24 hours, and also be broadcast on DAB+ in London and online. Some of the station’s programs will be beamed to British armed forces around the world on BFBS Radio 2, and will also be made available to hospital radio stations across the U.K.

Absolute Radio’s Content Director Paul Sylvester explained the idea behind the station: “The 75th anniversary of VE Day is a momentous event in our history, and it’s tragic that celebrations have had to be rightly curtailed because of the Coronavirus. Taking the Absolute Radio decade strategy and creating this unique pop-up station for 24 hours is the simplest way that we can pay our own very small tribute.”

“The incredible music and compelling stories you’ll hear on Absolute Radio 40s will bring comfort and entertainment to those older listeners in self-isolation and remind the rest of us of the importance of this day,” added Sylvester.

The project is a co-production with TBI Media and has been made possible by a grant from the U.K. Government’s Audio Content Fund, which supports public service broadcasting on commercial and community radio.

Phil Critchlow is CEO and founding director of TBI Media.

TBI Media’s CEO and Founding Director Phil Critchlow explained the challenge they’ve had to overcome to create content for the station during lockdown: “Like everyone we’ve learnt a huge amount about recording and broadcasting remotely over the last eight weeks — much of that is being applied to this project. Alongside almost 80 pieces of music across the four hours of content, we have four separate presenters, and probably another 25 voices that need to be captured one way or another,” he said.

REMOTE GEAR

“In every case it’s about quickly making the best of the equipment available to each contributor,” Critchlow added. “We always briefly ask what resources are available — you’ll be surprised how many people have a mic they use with GarageBand — but not pushing things too far, where the way a voice is captured begins to get in the way of a contributor’s thought process.”

Critchlow explained his current technical set-up: “Where broadcast is concerned, we’re using Comrex devices, with a broadcast quality mic attached for anything that’s going live. For pre-records, the best option is a Zoom or similar call with contributor recording locally to a WAV recorder via a quality broadcast mic and sending the content for syncing afterward.”

He said the best results for microphones come from a tight cardioid polar pattern mic. “These can often be much more forgiving in a reflective domestic setting than a more expensive studio capacitor mic — so a dynamic mic like a Beyer M201 is great, providing you use a pop shield. Where time allows, we’ve actually been posting mics and WAV recorders to contributors, with return-to-sender pre-paid packaging enclosed.”

Critchlow advised that for remote recording, the biggest difference that can be made is talking to the contributor about where they are in their house.

He explained: “The objective is to avoid any reflective surfaces that create a reverberant “roomy” sound — so moving them out of the kitchen into a room with plenty of soft furnishings. Asking for curtains to be closed, and a blanket or duvet to be put on the table they’re sitting at, can make a huge difference. Also suggesting that electrical appliances that may be running close by are switched off — it’s surprise how a washing machine in the next room isn’t heard by a contributor but is heard by their mic!”

“For post-production we’re now using Reaper almost exclusively,” said Critchlow. “We’ve come up with a process of sharing all content and edit project files on Dropbox. This allows, in this case, four people doing the editing at various stages to quickly pick up, make changes to and pass on a Reaper file for others to finalize and add to the master program. The masters can also then be passed around as an edit desk before finalization.”

Critchlow said: “Absolute 40s is a huge team effort across TBI Media and Absolute Radio. While these are uncertain and challenging times, it continues to be a huge privilege to be creating content that can make a real difference to people — particularly in this case where some of the audience is likely to be older and potentially isolated from their friends and family.”

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The Telos Alliance will stream a series of four webinars this month, in lieu of the spring NAB Show.

The first focuses on what’s new with Omnia, including putting processing in the cloud with Omnia.9 PTN, as well as products including Volt and Omnia.11.

Subsequent webinars will cover Telos Infinity IP Intercom; an exploration of the new Axia Quasar flagship console; and tools for Next Gen TV, where the company’s Linear Acoustic and Minnetonka Audio products have application.

The four-day series starts May 18. Find information here.

 

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Kim Guthrie will leave Cox Media Group, the company announced.

Guthrie is president and CEO and has been with Cox for 22 years, but it was only in December that she was named president and CEO of this new iteration of Cox, so her tenure in this role was short.

[Read: Cox Assesses Radio Listening]

Late last year Cox Enterprises completed the sale of its radio and TV stations, along with other assets, to the new media company Cox Media Group, majority owned by private equity funds, according to the Atlanta Business Chronicle.

The decision to leave was hers, according to today’s announcement.

Executive Chairman Steve Pruett, who came aboard in December, becomes interim CEO until a permanent leader is appointed. The company said “Guthrie will work with Pruett on an orderly transition.”

Cox owns 54 radio stations in 10 markets, among its other media holdings.

 

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