He’s been an active buyer and seller of media properties across Texas for more than a decade. Now, Gerald Benavides has signed off on a deal giving him ownership of a FM station licensed to the city of Stanton.
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Since July 2020 he has served as President/GM of WGAL-8, the NBC affiliate serving the Lancaster-Harrisburg-Lebanon-York, Pa., market owned by Hearst Television.
Now, he’s likely singing the lyrics to a classic rock and roll tune by Wilbert Harrison as Sarah Smith readies for retirement.
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Broadcast media executives are well appraised of the mega magnets embedded in advertising-supported video on demand (AVOD) platforms serving U.S. consumers. But, just how many dollars have been generated in the 12-month period ending September 2021?
Kantar has the answer, and the figure is in the $3 billion range. One AVOD platform gets the majority of those dollars.
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On September 20, 1995, CBS officially completed its acquisition of what until December 11, 1994 was Detroit’s FOX affiliate, WGPR-TV. The transaction was messy, and saw the city’s African American leaders seek to block the sale of WGPR by the Masons, which made the station the first in the U.S. to be wholly owned by Blacks. Lansing-based real estate investor and broadcaster Joel Ferguson stepped in, ultimately failing in an attempt to buy it or at least form a partnership with CBS.
Twenty-six years later, what would become “CBS62” under the WWJ-TV call sign is a unique O&O for ViacomCBS. It hasn’t ever had its own local news department, with Graham Media’s NBC-affiliated WDIV-4 left to compete against The E.W. Scripps Co.’s ABC-affiliated WXYZ-7 and WJBK-2 — that former CBS affiliate which today is a FOX O&O that remains a key viewer magnet.
Thanks to Wendy McMahon and Adrienne Roark, this will soon change, finally making Detroit a local news hub for CBS.
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One month ago, a Fresno FM branded as “New Rock 104.1” briefly ceased transmissions due to complications tied to the long-running KNP Complex wildfire; Lotus Communications loaned the licensee a lower-power transmitter to resume on-air broadcasts.
Now, the licensee is seeing a change in interest, with a 8 1/2-year partnership between two local radio broadcasters headed for dissolution.
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WASHINGTON, D.C. — PILOT, the NAB‘s innovation initiative, has launched the PILOT NEXTGEN TV Fellowship program with support from Amazon Web Services (AWS).
Structured like an early-stage start-up, the fellowship will focus on exploring capabilities of the ATSC 3.0 broadcast standard and developing a concept for a NEXTGEN TV product or service.
Alongside industry experts, fellows will gain “practical, first-hand experience” with NEXTGEN TV technology. The eight-month program will include product training, seminars and one-on-one coaching with NEXTGEN TV standard experts and AWS representatives. The fellowship will conclude with fellows presenting their projects at the 2022 NAB Show in April in Las Vegas.
The 2021 fellows are current Howard University students Mikaela Mosley and Sulaiman Bastien.
Mosley is a senior television and film production major and political science minor and serves as the GM and producer for Howard University’s Spotlight Network/WHUT-TV. Mosley recently completed an internship with Amazon Studios as a Drama Development intern.
Bastien is a senior television and film production major and computer science minor, with a concentration on directing and software engineering. He recently completed an internship with NEXTGEN TV promotional and rollout entity Pearl TV as an application developer.
Howard University is partnering with local broadcast television stations to bring NEXTGEN TV to local stations in Washington, D.C., with Howard University’s WHUT serving as the host station. Other participating stations include WJLA-7, WUSA-9, WTTG-5 and WRC-4.
Fellows will also participate in NAB Leadership’s Technology Apprenticeship Program (TAP). TAP is a complimentary career development program that is designed to train, inform and recruit the next generation of leaders in the broadcasting industry. Between these two innovative programs, fellows will be poised to launch a cutting-edge career as an engineer or technology professional in the broadcasting industry.
In November, Gray Television revealed its new local leadership slate, which outlined who would be leading a host of stations it was acquiring from Meredith Local Media. Among those changes was the move from Southern Arizona to Mobile, Alabama of Eric Duncan to take the GM position of FOX affiliate WALA-10.
Now, Gray has decided who will succeed Duncan in Tucson. It’s a market veteran with years of experience at the former Cordillera Communications.
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NEW YORK — The TV and cross-platform measurement and analytics firm founded by CEO Kristin Dolan has launched an independent media trading currency that the company believes offers an alternative to … you guessed it … Nielsen.
As 605 sees it, it is designed “to underpin advertising transactions between partners on the buy-side and the sell-side.”
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True partnership requires constant dialogue, says Laura Molen, the President of Advertising Sales and Partnerships at NBCUniversal. That’s why, every day, Molen consults with NBCU’s marketing partners, listening to their business challenges and sharing the media company’s insights. The goal: collaboration on new ways to achieve their business goals.
Recently, Molen has noticed a recurring theme – advertisers are working to adapt to new audience behaviors and questioning whether they should place the same premium on digital, social, and streaming video as they do on linear. “This question alone is understandable, but to answer it, we need to remember our most important partners—our viewers—who we can learn from and grow with, if we pay close enough attention,” Molen writes in a thought piece.
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USSI Global, the provider of customized broadcast, network, and digital signage services worldwide, is supporting global content connectivity solutions provider SES in successfully completing all Phase I accelerated C-band clearing and relocation activities.
SES is seeking to clear 280 MHz of the C-band spectrum to help meet the FCC’s objective to quickly roll out 5G services across the United States. Phase I required SES to relocate all of its existing services that are received by Incumbent Earth Stations out of the 3700-3820 MHz band. USSI Global made the necessary equipment changes on all associated Incumbent Earth Stations.
SES selected USSI Global as the primary vendor to help manage and execute the transition of Incumbent Earth Station filtering to mitigate risks of 5G interference. USSI Global served as the lead project management firm and was responsible for outreach, IT systems integration, field support management and status reporting. The initial outreach phase was especially valuable, requiring intensive advance research to gather and ascertain site-specific details of the Incumbent Earth Stations. USSI Global field technicians later provided turnkey systems design, procurement, installation and commissioning of 5G filters and antennas, among other key hardware components.
To meet the FCC’s ambitious Phase I accelerated relocation deadline of Dec. 5, 2021, SES established a goal of clearing greater than 700 Phase I sites by Aug. 31, 2021. USSI Global helped SES successfully meet that goal by supporting approximately 600 Phase 1 Incumbent Earth Station site transitions. The FCC validated SES’s Phase I certification on Nov. 24, 2021. By meeting this critical deadline, USSI Global ensured SES was eligible for the first accelerated relocation payment.
USSI Global’s more than 35-year history of experience supporting broadcast, network and digital signage services uniquely positions the company as a turnkey service provider for challenging, mandate-driven transitions such as the FCC’s C-Band spectrum transition. The company also provides customized post-installation and commissioning managed services, including preventative maintenance and remote monitoring, allowing customers to focus on their business.
“This was an unprecedented endeavor that was conceived prior to the pandemic yet executed during its apex,” said USSI Global COO Anthony Morelli. “USSI Global has an extensive history of developing customized customer solutions to yield effective results no matter what challenges arise. Our dedicated team worked closely and diligently with our partners at SES to adapt to a very challenging environment and achieve our shared goals, with flawless execution overseen by USSI Global’s field service leadership.”
SES Program Management Director Bronnie Fisher Fiely said, “USSI Global has extensive experience, which made our partnership for this project a natural fit. As a core part of their service plan for this project, USSI Global has accomplished a truly superior outreach effort for Phase I and is already hard at work on Phase II.”
USSI Global has already supported the clearing of more than 100 Phase II sites, and will continue to support SES through the remainder of Phase II clearing and transition activities.
“As the primary vendor supporting SES, there was a tremendous level of work that had to be completed under tight deadlines,” said Dave Christiano, CEO of USSI Global. “The USSI Global team’s exceptional work went a long way toward ensuring a successful transition for SES, and we are particularly proud of our technicians and field service engineers that implemented the work. We thank SES for trusting USSI Global to get the job done.”
The National Association of Broadcasters (NAB) has opened the nomination period for the 2022 NAB Technology Awards. The four awards highlight significant achievements in broadcast engineering, digital leadership and technology innovation. The awards will be presented at the 2022 NAB Show, held April 23-27 in Las Vegas.
The Radio and Television Engineering Achievement Awards are presented to individuals for their outstanding accomplishments in the broadcast radio or television industry, respectively.
The Digital Leadership Award honors an individual at a broadcast station, group or network who has transformed a traditional broadcast business to succeed on digital media platforms in a measurable way.
The Technology Innovation Award honors an organization that brings advanced technology exhibits and demonstrations of significant merit to the NAB Show. The nominated exhibit should present advanced research and development projects in communications technologies that have not yet been commercialized.
Finally, the Best Paper Award honors the author(s) of a paper of exceptional merit that is published in the Proceedings of the 2022 Broadcast Engineering and Information Technology (BEIT) Conference, held each year as part of the NAB Show.
“These awards celebrate the individuals and organizations that have distinguished themselves by transforming our industry,” said NAB’s Executive Vice President and Chief Technology Officer Sam Matheny. “We are delighted to honor the industry’s technical and engineering achievements at NAB Show.”
The deadline for nominations is January 11, 2022. Nomination forms and detailed award rules are available at nab.org/events/awards, along with a list of past recipients.
A company specializing in audience measurement products for the Media & Entertainment sector has launched a new product aimed at content providers who wish to understand the behavior of their audiences.
NeuroMedia Software’s NeuroMedia Analytics is now available, and the Belgian company says it is a cross-media solution for audience measurement.
“NeuroMedia Analytics recognizes that the pace of change in media consumption and related technology is faster than ever in the era of streaming,” the company says. “This means that the requirement of M&E organizations to enhance their understanding of audience behavior via comprehensive, accurate and consistent analytics is increasingly acute. By making some parts of its new platform open-source and supportable by SDK extensions, NeuroMedia Software has addressed this demand with a flexible solution that can keep pace with media consumption patterns.”
Available in three versions (Startup, Professional and Enterprise), it can be deployed on users’ and partners’ on-premise infrastructure allowing full control over data processing and storage, or in cloud/Software as a Service (SaaS) mode.
Underlining its suitability for a myriad of existing and emerging workflows, NeuroMedia Analytics is compatible with all major content delivery networks and all modern streaming technologies. Providing a host of possibilities for integration with existing business intelligence systems, the platform also delivers unified reporting from different sources via a single tool, with data illustrated efficiently via graphics, grids, location maps and more.
Pierre Mengal, Managing Director of NeuroMedia Software, commented, “From the largest media organisations to the latest streaming services, the appetite for flexible and comprehensive data analysis and management is more intense than ever. By leveraging the advantages of technologies that utilise census and panellised data, our major new platform delivers a level of accuracy and behavioural understanding that is unparalleled in the market.”
— RBR+TVBR European Desk, in Kaiserslautern, Germany
Video software and data insights platform JW Player’s VUALTO, acquired in May 2021, is now fully integrated with JW Player.
As such, two offerings formerly provided by VUALTO are now available to JW Player customers.
Introducing Broadcast Live (formerly VUALTO CONTROL HUB) and Studio DRM (formerly VUDRM). “These integrated offerings enable broadcasters and other content owners with adaptable, scalable, secure and intelligent solutions for video orchestration and encryption,” JW Player says.
JW Player CEO Dave Otten comments, “After months of integrating our teams, products and services, we’re proud to unveil our new offerings to the market. Our complete video delivery platform now enables broadcasters, publishers and other content owners to better engage and connect with audiences anywhere on any device, while ensuring the peace of mind that their content rights will be protected.”
Broadcast Live is a video orchestration product for Live, VOD, Live2VOD and VOD2Live. ‘Developed specifically for media workflows, Broadcast Live brings integration with encoders, streaming servers, workflow rules and DRM into a single set of APIs and GUI. The pluggable architecture also allows for easy integration with third-party and existing customer systems. With comprehensive channel configuration, event scheduling, monitoring, clipping and syndication, Broadcast Live enables premium viewing experiences with significant cost savings.”
Studio DRM is a multi-DRM solution that makes content protection easy for broadcasters, sports OTT platforms and other premium content rights holders. It is highly scalable and uniquely flexible, allowing content owners to request DRM encryption keys on the fly. Studio DRM also supports the latest content protection standards including CPIX, CMAF, and CBCS. Formerly known as VUDRM, the solution has long been a leader in DRM innovation and was one of the first to implement support for PlayReady, WideVine and FairPlay, as well as ABR streaming with DRM encryption.
In May 2021, JW Player acquired VUALTO to create a comprehensive platform that empowers customers with independence and control in today’s Digital Video Economy. The combined result is a single platform for broadcast-quality live and on-demand video delivery across mobile, web and OTT platforms; secure content delivery with industry leading DRM services; and unique insights, intelligence and monetization features to help grow revenue.
As demand for remote operations continues to increase across the industry, Imagine Communications has enhanced its ADC playout automation ― enabling media companies to access and control their broadcast chain from anywhere. This capability enhances existing media workflows and provides for more efficient operations utilizing remote staff, Imagine claims. It also supports new operational models including hub-and-spoke deployments and unified broadcast operations from a centralized broadcast center.
ADC Flex is an addition to Imagine’s ADC automation platform. Running natively in a web browser, ADC Flex provides a remote-ready control platform that can be added to existing ADC deployments. Or, it can be used as the basis for new facilities and new channel launches.
Imagine notes, “ADC Flex lets operators monitor and control channels, schedule content ingest and manage content from anywhere with internet access ― providing operational efficiencies, while maintaining mission-critical functions. With its modern HTML5 web user interface, ADC Flex is tailored to broadcasters’ specific operational needs, offering an identical look and feel whether the operator is in the machine room, at a remote location, or working from home; all that is needed to communicate is a secure data connection.”
Screens can be customized to suit workflow requirements and user preferences. Permissions can be assigned to users and groups, and favorites can be assigned for commonly used layouts. Since it is built using HTML5, ADC Flex can run on Windows, MacOS or Linux. Control panels and supervisory screens can also be created for tablets where mobility is required.
Sencore, a video delivery specialized, has brought to market the latest feature release for SCP 2100 Internet delivery encoder.
MPEG2 encoding and transcoding has been added as well as SCTE 104 to SCTE 35 ad insertion conversion. With the addition of these two features, the SCP 2100 is, in the words of Sencore, “an extremely versatile edge device for acquiring, compressing and backhauling content across the internet.”
The SCP 2100 allows operators to have a single solution for acquiring and transporting their content over the open internet, regardless of codec, interface or streaming protocol, it adds. It has support for a variety of physical inputs, including MPEG/IP, HDMI, SDI, ASI, QAM and 8VSB. It also has support for both H.264 and MPEG2.
“Once the signal has been compressed, rate-shaped, transcoded or repackaged, it is transported as Zixi or SRT across the internet or as MPEG/IP with SMPTE 2022-1 Forward Error Correction,” Sencore notes.
U.S. financial markets moved downward on Monday, with the Dow Industrials shedding 320.04 points to finish the day at 35,650.95 and the Nasdaq index losing 217.32 points, finishing at 15,413.28.
While the general indices were down, several broadcast media industry stock prices finished the day in the green.
Sinclair Broadcasting Group gained $0.49, to finish the day at $25.92, while Saga Communications was also on the rise.
That said, many companies were down, including Cumulus Media and Beasley Media Group, which saw its shares dip below the $2 mark to $1.96.
“Conversation experience management software” that combines voice optimized content management, cross-platform deployment, and voice-specific customer insights.
Who knew that such a technological advancement would be important to an audio content and distributor with podcasting and radio stations at the core of its business?
J.D. Crowley and the C-Suite team at Audacy did.
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It was inevitable. Years ago, ABC sold off nearly all of its radio stations and its national programming arm, now part of the Cumulus Media family. As of today, three big-market AMs tied to ESPN, ABC’s sibling within The Walt Disney Co., were all that remained of the company’s once-sizable radio broadcasting arm.
With the FCC’s blessing, ownership of those radio stations will soon end. Call it Good Karma, for Disney, ESPN and the buyer.
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When it comes to Wall Street wizards who have an active pulse on broadcast media, there are perhaps no two more-attuned analysts than Craig Moffett and Michael Nathanson. Over the last several years, their MoffettNathanson has served as a leading voice of how media companies are performing and trending.
Soon, their equity research firm will be a sibling to Silicon Valley Bank.
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LOS ANGELES — He’s a national icon, on a scale perhaps even bigger than that of Frank Sinatra to the U.S. or Cliff Richard to Great Britain. From classic ballads including “Volver, Volver” to “Por Tu Maldito Amor,” Vicente Fernandez is perhaps the most iconic of all Mexican recording artists, with popularity spanning generations across Latin America and in U.S. communities with Hispanics of Mexican heritage.
Fernandez died on Sunday (12/12) at 6:15am local time, at a hospital in Guadalajara. He was 81 years old. News of his passing was first shared on his Instagram account, which had previously offered health updates after a recent fall in his home, which required an operation and injured his cervical spine; some 1.93 million likes have been made to the posting.
Within minutes, radio stations in Los Angeles and across the U.S. raced to scrap programming and devote their airwaves to Fernandez — recognizable to non-Hispanics perhaps for his trademark oversized sombrero.
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