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Industry News

All-Digital MA3 Is a Whole New Ballgame

Radio World
5 years 3 months ago

The bad news: AM radio will never be the same. How many dyed-in-the-wool broadcast vets built crystal sets or foxhole radios and played with a cat’s whisker? How many hours of AM DXing, especially during the Sunday morning maintenance period, listening for an announcer in a distant control room to give the calls? 

In the digital AM world, we’ll sure miss the singing of an iron core when it’s replaced with a digital “whoosh” sound. Nostalgia will always exert a tug on the heartstrings of a Real Broadcaster of a Certain Age. 

Those days are disappearing.

The good news: AM radio will never be the same. It will be substantially better. That is to say, the game is likely to be changed radically by all-digital “HD” AM.

Many of us have objected to the jamming of first adjacents by IBuzz. It’s difficult to tolerate the degraded audio when an “HD” AM signal reverts to analog. 

Those qualities were attendant to the use of MA1 hybrid analog/digital use on the standard broadcast band. All-digital MA3 is a whole new ballgame. Xperi, successor to iBiquity, currently is allowing AM stations to license the technology at no cost in perpetuity.

Under the hybrid MA1 standard, the analog signal was accompanied by a digital signal that was 10 to 20 dB down from the nominal carrier power. Under the all-digital MA3 standard, there is no analog signal; the digital signal is at full power. 

Some 75% of the power in an analog signal was wasted in the carrier and redundant sidebands. Only one “single sideband” at a maximum of 25% of the station’s total power was necessary to convey useful data, the station’s audio. With all-digital AM, 100% of the station’s power is employed for that purpose. It’s much less vulnerable to many kinds of interference, and audio quality is not limited by the receiver’s IF response curve.

Fig. 1

The tests of all-digital MA3 at WWFD in Frederick, Md., have been famously successful. The station’s 2 mV/m contour (green in Fig. 1), often considered to be an AM station’s analog listening limit today, covers about 368,000 people in a 1,300 square mile area.

The 0.5 mV/m (orange in Fig. 1) is protected from interference, and was historically considered to be an AM station’s daytime coverage before AM interference became a significant issue. For WWFD, this signal covers about 2.33 million people over a 4,545 square mile area.

The all-digital MA3 signal has been proven reliable out to around the 0.1 mV/m contour, or 100 uV/m (red in the figure). This is 1/5 the strength of the old standard, and merely 5% of the signal level that is generally considered usable on today’s radios. 

For WWFD, this contour covers about 10 million people over a 21,900 square mile area. I carried it from 70 miles south of the station in Stafford, Va., to beyond Baltimore. (I neglected to try beyond that, so it might have even greater range.) The audio was indistinguishable from FM stereo, and in the future can incorporate graphics and other data. 

My stock 2013 BMW car radio with a windshield antenna is nothing special. In fact, the analog AM side sounds awful, just like so many other “modern” dashboard AM receivers. 

But HD AM dashboard penetration is already around a third of all cars, and climbing. That’s significantly higher than AM’s share of AQH listening in our country today. All-digital MA3 signals are totally compatible and listenable on any HD AM receiver. (Note, however, that all-digital WWFD did not stop a scan.)

I made two very informal short videos on an iPhone of my WWFD listening experience last May and posted them on YouTube here:

  • Stafford, Va.: https://youtu.be/vyG8Nyba_lk
  • Baltimore: https://youtu.be/hWp6mh4WKQU
CASE IN POINT

As I write this, I’m helping a friend who’s ready to retire from operating his 10,000-watt AM in Greenfield, Mass., so I decided to look into its potential as an all-digital AM. 

Fig. 2

The station is WIZZ, a daytimer on 1520 designed with a single two-tower pattern to protect Buffalo during Critical Hours, as required for two hours after Local Sunrise, and two hours before Local Sunset. Between those two limits, however, a preliminary study shows that WIZZ can operate with 50 kW non-directional.

The potential of WIZZ HD AM all-digital coverage by day at 50,000 watts non-directional is shown in Fig. 2 in red. This is the 0.1 mV/m coverage contour. Also shown is the currently licensed 10 kW directional contour. Note that the station also has some freedom of movement to optimize population coverage, by moving toward Boston, for example.

All-digital HD AM coverage from the present site would be just under 5 million people within a 15,600 square mile area. 

[Upgrading to AM All-Digital: Why, How and Lessons Learned]

I wouldn’t want to use a daytime facility like this to compete head-to-head with a format that exists in every market, but the phenomenal coverage is ideal for reaching an enormous potential audience with any unduplicated or specialty format. In that way, it’s not so different from FM in the 1960s. This station now broadcasts a format of American standards and pop hits that most stations have abandoned. The audience for this kind of format is older but fiercely loyal, not to mention well-heeled. When the station goes off, so does their radio. In this format, the station enjoys revenue streams from both advertisers and listeners. The associated FM translator can retain the audience during a transition to all-digital AM.

This is one example of the difference MA3 all-digital AM can make for an AM station. Obviously, each situation is different, but it behooves every broadcast engineer to take a close look at digital AM and advise their licensees of its potential in their particular situation.

The author is a technical and general radio consultant and small group owner. He has held numerous radio roles and founded an AM, six commercial FMs, two NCE FMs and numerous translators.

The post All-Digital MA3 Is a Whole New Ballgame appeared first on Radio World.

Dennis Jackson

Moseley Steps Into the Next Generation

Radio World
5 years 3 months ago

Moseley describes the NX-GEN-T as an economical advanced microwave STL/TSL software-defined frequency-agile digital radio for 6 GHz to 38 GHz bands.

It offers T1/E1, Gigabit Ethernet, 2 x OC3, DS3, NxDS3, add/drop MUX, OC3 interfaces. Modulation includes 4QAM, 16QAM, 32QAM, 64QAM, 128QAM, conforming to channel bandwidth and payload requirements along with ATPC, XPIC, Adaptive Modulation.

[Check Out More Products at Radio World’s Products Section]

The data rate is 155 Mbps to maximize payload capacity. A web browser interface provides for remote operation.

This carrier class product transports a programmable mix of native TDM and IP traffic separately, ensuring a seamless transition from legacy TDM networks to an all-IP network, the company says. An onboard “Add and Drop” multiplexer allows DS3/28DS1, SDH/63E1, add/drop operation. A QoS/Ethernet features deliver secure LAN/WLAN networks.

It is at home indoor or outdoor with an integrated package that can be directly mounted onto a pole or tower. Operational temperature range is –22 F/–30 C to 131 F/55 C.

Info: www.moseleysb.com

 

The post Moseley Steps Into the Next Generation appeared first on Radio World.

RW Staff

Low-Power Integrated FM Channel Combiner From ERI

Radio World
5 years 3 months ago

Electronics Research, Inc. has updated the design of its low-power integrated FM channel combiner, Model FI136. This compact and easily installed combiner is intended for use with FM translators and low-power FM facilities. It combines any two FM channels, with a minimum spacing of 1.6 MHz, into a single output to be fed to a broadband FM antenna.

The FI136 has 7-16 DIN, female inputs, that are rated to handle 750 watts each for a combined output power handling capability of 1.5 kW. The FI136 is available with a 7/8-inch or 1-5/8-inch output and includes a single port directional coupler at the combined output to allow for intermodulation product measurements.

[Check Out More Products at Radio World’s Products Section]

The combiner is constructed from a lightweight aluminum housing with copper resonators. The design includes nonadjacent coupling which increases rejection of out-of-band emissions and features temperature compensation for stable operation even with varying ambient temperatures and at initial startup. The combiner is designed to allow for retuning with a minimum of disassembly. The FI136 includes mounting tabs for attachment to the transmitter building wall or ceiling, with customer supplied hardware.

ERI also manufactures the FI836 which is a high-power integrated FM channel combiner that is available to combine any two FM channels, with a minimum spacing of 1.8 MHz, with power handling capability of up to 30 kW at each input, 60 kW at the combined output.

Info: www.eriinc.com

 

The post Low-Power Integrated FM Channel Combiner From ERI appeared first on Radio World.

RW Staff

DEVA Broadcast DB4005 Promises Precision

Radio World
5 years 3 months ago

The DB4005 is the latest monitoring product from DEVA Broadcast.

The company explains that the unit makes use of sophisticated DSP algorithms and provides SDR FM tuner-based signal processing. “Its powerful digital filters are a guarantee of precision and enable the FM signal to be accurately and repeatedly analyzed with each device,” the company adds.

[Check Out More Products at Radio World’s Products Section]

A leading feature of the DB4005 is the MPX input, which allows users to monitor external composite signals, regardless of whether they are from a composite STL receiver/stereo FM encoder, or from an off-air source. In addition, the loudness meter allows for measurements to be shown as defined by ITU BS.1770-4 and EBU R128 recommendations — the DB4005 supports both standards.

DB4005 is easy to use and packs a host of features. These include TCP/IP connectivity, audio streaming, and automatic alerts for operation outside of predefined ITU-R ranges, as well as optional GSM connectivity. Onboard tools include oscilloscope, loudness analyzer, spectrum analyzer, de-emphasis, stereo decoder, RDS/RBDS decoder, data logger, FTP server and audio streaming.

Alarms include RF, pilot left and right audio levels, MPX, MPX power and RDS. Remote operation can be rendered via PC or Android and Apple smart devices.

Info: www.devabroadcast.com

 

The post DEVA Broadcast DB4005 Promises Precision appeared first on Radio World.

RW Staff

NAB Says FCC Should Act Now to Allow All-Digital on AM

Radio World
5 years 3 months ago

The NAB says there’s no need for further industry testing before the FCC can allow AM stations individually to switch to all-digital operation on a voluntary basis.

It also opposes any notification period, instead favoring a simple immediate approach. It sees no need to put a carrier frequency tolerance standard in place. And it hopes the FCC will recommit to IBOC rather than reopen discussion of other formats.

In comments filed with the FCC, the broadcast association has reiterated its support for allowing all-digital on the AM band in the United States for those stations that want to adopt it. The NAB said that nearly all others who have commented to the commission have supported the idea.

[Read: Hubbard Radio Backs Push for All-Digital Option on AM]

In addition to reviewing the various reasons it had listed earlier (reaching more listeners, improving signals, allowing additional programming), the association now has made some specific additional points:

    • It argues that no additional testing is needed because it considers the all-digital MA3 mode as proven, based on field and lab tests as well as the experimental operation of a station in Frederick, Md.;

 

    • NAB disagrees with those who think testing is needed to determine potential interference to co-channels during nighttime hours. “The evidence shows that all-digital signals will cause fewer interference concerns than hybrid operations and eliminate any concerns about interference to adjacent channels. … WWFD has been broadcasting all-digital nighttime service for 20 months without any problems. Also, the rollout of all-digital is expected to be fairly gradual, which will provide the FCC and industry time to monitor and address any interference problems, as NPR suggests.”

 

    • NAB agreed with Xperi, which told the FCC that although NAB Labs’ tests may not have exhaustively tested every conceivable all-digital AM operational scenario, “the success of the WWFD experiment confirms that there is more than an adequate foundation for FCC action.” The NAB said the FCC can simply address individual cases of interference as they arise, under current practice.

 

    • The commission had asked whether to impose a carrier frequency tolerance standard on AM stations of 1 Hz as a way to improve all-digital reception. NAB says no, calling the idea “an unnecessary burden on AM broadcasters who will continue to operate in analog mode.” It agreed that tightening the carrier frequency tolerance would benefit analog and all-digital operations by reducing the impact of co-channel interference. “However, given today’s extremely challenging economic climate for radio broadcasting, especially AM service, such a new requirement would be a burden and counterproductive to the FCC’s goal of AM radio revitalization.” At most, it said, the FCC should table the idea for the time being.

 

    • NAB supports a proposal from Nautel regarding the allowed operating power (nominal power) limits. Nautel wants the relevant section to be applied “to the average all-digital signal power including the digital signal power and the unmodulated analog carrier power” and not simply the “unmodulated analog carrier power” as proposed in the FCC notice. NAB called this “an important modification which makes good technical sense” and would make it easier for more AM stations to be switch to MA3.

 

    • The broadcast association reiterated support for the plan to incorporate the NRSC-5-D standard by reference into the digital audio broadcasting rules — in other words, for the FCC to verify its commitment to IBOC. “Adopting NRSC-5-D as a formal technical standard will provide stakeholders the regulatory certainty needed to confidently invest in providing digital broadcasting service and products,” NAB wrote. “Contrary to the requests of Dolby and a few others calling for the FCC to start over with a reevaluation of alternatives to IBOC as the standard for all-digital AM service, confirming IBOC as the single standard for digital audio broadcasting will avoid completely upending the long-standing and ongoing progress of digital radio in the United States.”

 

    • And NAB supports a simple notification procedure for AM stations’ conversion. It opposes a request from the Society of Broadcast Engineers for a longer prior notification period (such as 60 days) for converting to all-digital service to allow co- and adjacent analog channel stations to determine certain baseline data before digital service starts. “NAB submits that NAB Labs’ extensive testing and WWFD’s real-world experience confirm that such a requirement is unnecessary.”

 

The post NAB Says FCC Should Act Now to Allow All-Digital on AM appeared first on Radio World.

Paul McLane

Entercom Faces Penalty for Misuse of EAS Tones in 2018

Radio World
5 years 3 months ago

The Federal Communications Commission has announced a proposed fine of $20,000 against Entercom for broadcasting an Emergency Alert System tone in 2018 during a skit on WNEW(FM) just hours before nationwide tests of WEA and EAS.

The rules prohibit airing real or simulated EAS codes and attention signals unless it’s an actual emergency, a test or a qualified PSA.

Radio World reached out to Entercom and will report any comment.

In October 2018 FEMA scheduled a Wireless Emergency Alert test message to mobile devices throughout the country, and immediately followed with a live test of the EAS. But earlier that morning, in drive time in New York City, Entercom used an emergency tone during the “Karen & Jeffrey” program to lampoon the pending test.

The FCC said that Entercom has acknowledged airing the Attention Signal. It said the skit was produced by an employee who first had included the EAS Header Code in an initial version of the skit. “After the host of the radio show and the station program direction identified the use of the EAS Header Code as problematic and something that must be removed from the segment,” the FCC wrote, “the employee replaced it with approximately one second of the Attention Signal. The station program director approved the revised segment for air.”

[COVID-19 and Emergency Alerting Best Practices]

It said this case is “specifically the type of behavior” that the rules seek to prevent.

“The unauthorized and inappropriate use of the EAS Tones may confuse people or lead to alert fatigue, resulting in people ignoring potentially life-saving warnings and information. We find that an average listener could reasonably mistake the airing of part of the Attention Signal for an actual EAS alert.” It said the rules prohibit such appropriation because non-emergency uses actually dilute their real meaning over time.

The FCC acknowledged that this was a single violation and a single transmission that apparently caused no downstream EAS activation. But it also pointed to the reach of the WNEW signal. “The fact that Entercom’s programming reached potentially vast audiences increases the extent and gravity of the violation and therefore supports an upward adjustment” in the proposed fine.

Entercom has 30 days to pay or reply in appeal.

The Notice of Apparently Liability for Forfeiture is available here. 

The post Entercom Faces Penalty for Misuse of EAS Tones in 2018 appeared first on Radio World.

Paul McLane

Jocavi Launches WoodQuad Acoustic Diffuser

Radio World
5 years 3 months ago

Tired of the boring-looking usual acoustic treatment panel?

Portugal-based acoustic treatment manufacturer Jocavi has introduced WoodQuad, a quadratic diffuser with a different look

According to the company, WoodQuad panels have an average diffusion coefficient of 0.63 per square meter and are produced from solid wood blocks. Intended for medium to large studios and control rooms, the panels were created in collaboration with studio and loudspeaker designer Dave Malekpour, from Professional Audio Design and Augspurger Monitors.

[Check Out More Products at Radio World’s Products Section]

The WoodQuad’s design is intended to provide a more uniform sound field through mid and high frequencies and provide hemispherical scattering for wide angles of incidence. As a result, the panel reportedly provides large spectrum bandwidth diffusion in a single integrated piece and has the uniform scattering properties of a quadratic diffuser.

This panel is made of solid sustainable pine with a finish of five different colors of veneer — pine, cherry, oak, sucupira, wengé and mahogany.

The WoodQuad was originally custom-created for a New Hampshire studio owned by U.S. record producer and talent scout Angelo Montrone, founder and CEO of Majestic Music. Montrone was involved in records from artists like Natalie Cole, Matisyahu and John Cale and in 2013 established Majestic Music LLC. The studio is an 1800s farmhouse that combines a world-class recording studio and a bed & breakfast, with the aim of creating a creative incubator for artists to work in.

Jocavi, founded in 1992, specializes in developing and manufacturing acoustic treatment panels for the professional audio industry. The company is distributed around the world through 59 dealers as well as official sellers, and it established a branch in the United States in 2018.

Info: www.jocavi.net

 

The post Jocavi Launches WoodQuad Acoustic Diffuser appeared first on Radio World.

ProSoundNetwork Editorial Staff

Take Our Survey — Your Opinion Matters

Radio World
5 years 3 months ago
Getty/vladwel

Radio World wants to know your thoughts about how the radio industry is reacting to the coronavirus pandemic. We also want your feedback about our coverage of COVID-19’s impact on broadcasters.

We’ve created a survey to get your input and learn more about how readers have been affected. We ask questions about how radio station workflow may have changed, as well as how media consumption habits have shifted, and we want to learn whether you’re getting the information you need to do your job well during this crisis.

Please take our radio and COVID-19 survey. It’ll take about five minutes, and your responses will be anonymized. The results will be used to guide how we cover the pandemic’s affects going forward, and we will share relevant insights with readers.

Reader feedback is crucial, and we want to hear from as many readers as possible. Thanks for being a valuable part of the Radio World community. Stay safe and keep up the good work!

The post Take Our Survey — Your Opinion Matters appeared first on Radio World.

RW Staff

Broadcasters Foundation Opens Grants to Those Affected by COVID-19

Radio World
5 years 3 months ago

The Broadcasters Foundation of America is stepping in to do its part for people suffering from the wide-ranging impacts of the COVID-19 pandemic.

A Monday press release from the 501(c)3 public charity announced that the BFA’s executive committee recently held an emergency meeting to determine how best to address broadcasters’ needs during the crisis. The board voted to revise its emergency grant qualifications to enable those infected to apply for aid. 

Under the new rule, to qualify, an applicant must: 

  • Be or have been a direct employee of an over-the-air broadcaster
  • Be or have been infected with COVID-19
  • Be out of work or have lost wages due to COVID-19
  • Be in acute financial need due to hardships from COVID-19

For more information, email grants@thebfoa.org or call 212-373-8250.

Broadcasters Foundation of America Chairman Dan Mason said in the announcement, “Never in our history as broadcasters have we experienced an event that has caused this much hardship.”

The post Broadcasters Foundation Opens Grants to Those Affected by COVID-19 appeared first on Radio World.

RW Staff

Tieline Releases Codec Communication Software

Radio World
5 years 3 months ago


With a mission to make codec herding easier, Tieline has released the TieLink Traversal Server. According to Tieline, it is “designed to facilitate simple codec discovery, NAT traversal, and connections throughout an entire codec network.”

A recent firmware upgrade for ViA, Genie and Merlin codecs provides their compatibility to the server.

Tieline VP Sales APAC/EMEA Charlie Gawley explained, “TieLink is particularly useful to networks with many IP codecs, because the ‘address book’ approach to grouping codecs greatly simplifies dialing for non-technical users.”

[Check Out More Products at Radio World’s Products Section]

According to Tieline, the TieLink Traversal Server is a secure, independently hosted global server network, with multiple global backups. It centralizes the Tieline codec contact list management and provides self-discovery of codecs within customized call-groups.

It adds that users can view the online or offline status of all codecs in a group and whether it is connected or disconnected.”

TieLink Traversal Server is compatible with Tieline’s Cloud Codec Controller software.

Info: https://tieline.com

 

The post Tieline Releases Codec Communication Software appeared first on Radio World.

RW Staff

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